As Cyndy Hendershot demonstrates, the Gothic is more a mode than a rigid historical period, an "invasive" tendency that reveals the imaginative limits of social realities and literary techniques far beyond its origins in late eighteenth century Britain. And as she demonstrates in this first scholarly treatment of its kind, one of the continuing obsessions of the Gothic mode is masculinity. Masculinity is in some sense a Gothic castle of the imagination, haunted by fears of the body, science, and angry colonial subjects. The book's keen critical insight, meticulous close readings and...
As Cyndy Hendershot demonstrates, the Gothic is more a mode than a rigid historical period, an "invasive" tendency that reveals the imaginative limits...
Not long after the Allied victories in Europe and Japan, America's attention turned from world war to cold war. The perceived threat of communism had a definite and significant impact on all levels of American popular culture, from Harry Chapin's propaganda maps in Time magazine to The Bullwinkle Show. This work examines representations of anti-communist sentiment in American popular culture from the early fifties through the mid-sixties. The discussion covers television programs, films, novels, journalism, maps, memoirs, and other works that presented anti-communist ideology to millions of...
Not long after the Allied victories in Europe and Japan, America's attention turned from world war to cold war. The perceived threat of communism had ...
Horror films provide a guide to many of the sociological fears of the Cold War era. In an age when warning audiences of impending death was the order of the day for popular nonfiction, horror films provided an area where this fear could be lived out to its ghastly conclusion. Because enemies and potential situations of fear lurked everywhere, within the home, the government, the family, and the very self, horror films could speak to the invasive fears of the cold war era. I Was a Cold War Monster examines cold war anxieties as they were reflected in British and American films from the...
Horror films provide a guide to many of the sociological fears of the Cold War era. In an age when warning audiences of impending death was the order ...
Cyndy Hendershot argues that 1950s science fiction films open a window on the cultural paranoia that characterized 1950s America, a phenomenon largely triggered by use of nuclear weapons during World War II. This study uses psychoanalytic theory to examine the various monsters that inhabit 1950s sci-fi movies giant insects, prehistoric creatures, mutants, uncanny doubles, to name a few which serve as metaphorical embodiments of a varied and complex cultural paranoia. Postwar paranoia may have stemmed from the bomb, but it came to correlate with a wider range of issues such as anti-communism,...
Cyndy Hendershot argues that 1950s science fiction films open a window on the cultural paranoia that characterized 1950s America, a phenomenon largely...
