The Introduction to this edition discusses the nature of Wesley's Journal, places it in the context of autobiography as a genre, examines its construction, and discusses Wesley's frame of mind during its writings. One of the major functions of this scholarly edition is to reveal John Wesley "in the light of his involvement in the crowded forum of eighteenth century theological debate." Wesley's writings are saturated with references to Scripture, the Latin and Greek classics, the early Church Fathers, his theological predecessors, English poets and playwrights, and those "natural...

This is the sixth volume of Wesley's Journal to appear in the critical edition of The Works of John Wesley. Covering the decade from 1776 to the end of 1786, it contains three full "Extracts" of Wesley's Journal (18-20) and the beginning of his last (21). These materials describe--in Wesley's own words--a crucial period that helps define the shape of Methodist theology and organization. The issues surrounding the manner of John Wesley's leadership and the authority of the Conference within Methodism furnish the framework for this period. Wesley begins working with new leaders such as...

Korean version of the original text by Richard Heitzenrater.

Presents the history of the 17th century Wesleyan movement, not only as a description of a spreading organization, a developing theology, and a widening mission, but also the story of the people called Methodists and with whom Wesley spent his time and energy.

The Methodist Societies: The Minutes of Conference reproduces the Minutes as a formal record and conveys the nature and role of the Conference in Methodist life and polity during John Wesley's time.

Included is information from letters and diaries of preachers as well as from John Wesley, some of which is newly published here. This material highlights some of the problems that arose in the meetings themselves, which in Wesley's eyes was merely summoned to advise him but, in his later years, almost imperceptibly became more of a legislative and ruling body, increasingly...

Faces are more than a montage of organs that see, breathe, speak, hear, eat, sing, smell, and yell. As Josephine Tey points out in her mystery novel, The Daughter of Time, the slant of an eyebrow, the set of a mouth, the look of the eye, the firmness of a chin, often can provide evidence of character that is as telling as a report card or a police blotter. Those features depicted on portraits of individuals can be equally telling of the person's inner nature or perhaps of what the artist thinks (or wants the viewer to think) about the person being portrayed. Sometimes a portrait...