Wordsworth's power over us stems from the manifest strength of his efforts to integrate several strenuous and potentially contradictory efforts. Indeed, it is not until Yeats that we encounter another poet in whom emotional susceptibility, intellectual force, psychological acuteness, political awareness, artistic self-knowledge and bardic representativeness are so truly and responsibly combined.
He is an indispensable figure in the evolution of modern, a finder and keeper of the self as subject, a theorist and apologist whose preface to...
From the introduction by Seamus Heaney:
Wordsworth's power over us stems from the manifest strength of his efforts to integrate several stre...
A Cycle of Love Songs Translated by the Nobel Laureate
"Dappled woodland light, Spring well chill and bright, Eyes like stars at night, Open knees so white. Four things death itself won't cover, Unforgettable forever."
In 1917, while reading his local newspaper, the Czech composer Leos Janacek discovered the poems that he was to set to music in his song cycle Diary of One Who Vanished. Written by Ozef Kalda and published anonymously, they tell the story of a farmer's boy who abandons his home because he has fallen in love with a Gypsy. These new...
A Cycle of Love Songs Translated by the Nobel Laureate
"Dappled woodland light, Spring well chill and bright, Eyes like stars at nigh...
Nobel laureate Seamus Heaney's first collection of prose, Preoccupations, begins with a vivid account of his early years on his father's farm in Northern Ireland and his coming of age as a student and teacher in Belfast. Subsequent essays include critical work on Gerard Manley Hopkins, William Wordsworth, John Keats, Robert Lowell, William Butler Yeats, John Montague, Patrick Kavanagh, Ted Hughes, Geoffrey Hill, and Philip Larkin.
Nobel laureate Seamus Heaney's first collection of prose, Preoccupations, begins with a vivid account of his early years on his father's far...
The title poem of this collection, set on an Irish island, tells of a pilgrim on an inner journey that leads him back into the world that formed him, and then forward to face the crises of the present. Writing in The Washington Post Book World, Hugh Kenner called this narrative sequence "as fine a long poem as we've had in fifty years."
The title poem of this collection, set on an Irish island, tells of a pilgrim on an inner journey that leads him back into the world that formed hi...
In this volume of critical essays, Seamus Heaney scrutinizes the poetry of many masterful poets. Throughout the collection, Heaney's gifts as a wise and genial reader are exercised with characteristic exactness, and we are reminded, above all, of the essentially gratifying nature of poetry itself.
In this volume of critical essays, Seamus Heaney scrutinizes the poetry of many masterful poets. Throughout the collection, Heaney's gifts as a wis...
The Cure at Troy is Seamus Heaney's version of Sophocles' Philoctetes. Written in the fifth century BC, this play concerns the predicament of the outcast hero, Philoctetes, whom the Greeks marooned on the island of Lemnos and forgot about until the closing stages of the Siege of Troy. Abandoned because of a wounded foot, Philoctetes nevertheless possesses an invincible bow without which the Greeks cannot win the Trojan War. They are forced to return to Lemnos and seek out Philoctetes' support in a drama that explores the conflict between personal integrity and political...
The Cure at Troy is Seamus Heaney's version of Sophocles' Philoctetes. Written in the fifth century BC, this play concerns the predic...
Seeing Things (1991), as Edward Hirsch wrote in The New York Times Book Review, "is a book of thresholds and crossings, of losses balanced by marvels, of casting and gathering and the hushed, contrary air between water and sky, earth and heaven." Along with translations from the Aeneid and the Inferno, this book offers several poems about Heaney's late father.
Seeing Things (1991), as Edward Hirsch wrote in The New York Times Book Review, "is a book of thresholds and crossings, of losses bal...
Seamus Heaney defines the title of this work of criticism as follows: "To redress poetry is to know and celebrate it for its forcibleness as itself . . . not only as a matter of profferd argument and edifying content but as a matter of angelic potential, a motion of the soul." Throughout this collection, Heaney's insight and eloquence are themselves of a poetic order.
Seamus Heaney defines the title of this work of criticism as follows: "To redress poetry is to know and celebrate it for its forcibleness as itself...
The Spirit Level was the first book of poems Heaney published after winning the Nobel Prize in Literature in 1995. Reviewing this book in The New York Times Book Review, Richard Tillinghast noted that Heaney "has been and is here for good . . . His poems] will last. Anyone who reads poetry has reason to rejoice at living in the age when Seamus Heaney is writing."
The Spirit Level was the first book of poems Heaney published after winning the Nobel Prize in Literature in 1995. Reviewing this book in
