Through a series of imaginative approaches to movement and performance, choreographer Deborah Hay presents a profound reflection on the ephemeral nature of the self and the body as the locus of artistic consciousness. Using the same uniquely playful poetics of her revolutionary choreography, she delivers one of the most revealing accounts of what art creation entails and the ways in which the body, the center of our aesthetic knowledge of the world, can be regarded as our most informed teacher. My Body, The Buddhist becomes a way into Hay's choreographic techniques, a gloss on her...
Through a series of imaginative approaches to movement and performance, choreographer Deborah Hay presents a profound reflection on the ephemeral natu...
"The intention of my work is to dislodge assumptions about the fixity of the three-dimensional body."--Deborah Hay
Her movements are uncharacteristic, her words subversive, her dances unlike anything done before--and this is the story of how it all works. A founding member of the famed Judson Dance Theater and a past performer in the Merce Cunningham Dance Company, Deborah Hay is well known for choreographing works using large groups of trained and untrained dancers whose surprising combinations test the limits of the art. "Lamb at the Altar" is Hay's account of a four-month seminar on...
"The intention of my work is to dislodge assumptions about the fixity of the three-dimensional body."--Deborah Hay
In the mid 1990 s Deborah Hay s work took a new turn. From her early experiments with untrained dancers, and after a decade of focusing on solo work, the choreographer began to explore new grounds of choreographic notation and transmission by working with experienced performers and choreographers.
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Using the Sky: a dance" follows a similar path as Hay s previous books "Lamb at the Altar "and "My Body the Buddhist" by exploring her unrelenting quest for ways to both define and rethink her choreographic imagery through a broad range of alternately intimate, descriptive, poetic,...
In the mid 1990 s Deborah Hay s work took a new turn. From her early experiments with untrained dancers, and after a decade of focusing on solo wor...
