For brides and grooms who want to give their weddings new depth and meaning, two acclaimed poet-translators have gathered a stunning collection of poems and prose that will add a unique and personal dimension to the ceremony. Includes examples of wedding ceremonies from various cultures.
For brides and grooms who want to give their weddings new depth and meaning, two acclaimed poet-translators have gathered a stunning collection of poe...
-Between the high Sierras south from Yosemite--east and south over a very great assemblage of broken ranges beyond Death Valley, and on illimitably into the Mojave Desert- is the territory that Mary Austin calls the Land of Little Rain. In this classic collection of meditations on the wonders of this region, Austin generously shares -such news of the land, of its trails and what is astir in them, as one lover of it can give to another.- Her vivid writings capture the landscape--from burnt hills to sun-baked mesas--as well as the rich variety of plant and animal life, and the few human beings...
-Between the high Sierras south from Yosemite--east and south over a very great assemblage of broken ranges beyond Death Valley, and on illimitably in...
One of the most vexing problems facing American modernist poets was how to find a place for poetry and religion in a culture that considered science its most reliable source of truth. By the time Robert Frost began writing, the Emersonian concept of nature as an analogue for a benevolent deity had been replaced among the scientifically educated by the view that nature's mechanisms were based solely upon accident, competition, and survival. Immersed in his mother's peculiar blend of Emersonian and Swedenborgian mysticism, and already inclined by age sixteen toward a career in poetry, Frost...
One of the most vexing problems facing American modernist poets was how to find a place for poetry and religion in a culture that considered scienc...
One of the most vexing problems facing American modernist poets was how to find a place for poetry and religion in a culture that considered science its most reliable source of truth. By the time Robert Frost began writing, the Emersonian concept of nature as an analogue for a benevolent deity had been replaced among the scientifically educated by the view that nature's mechanisms were based solely upon accident, competition, and survival. Immersed in his mother's peculiar blend of Emersonian and Swedenborgian mysticism, and already inclined by age sixteen toward a career in poetry, Frost...
One of the most vexing problems facing American modernist poets was how to find a place for poetry and religion in a culture that considered scienc...
Czeslaw Milosz did not believe he would ever return to the river valley in which he grew up. But in the spring of 1989, exactly fifty years after he left, the new government of independent Lithuania welcomed him back to that magical region of his childhood. Many of the poems in Facing the River record his experiences there, where the river of the Issa Valley symbolizes the river of time as well as the river of mythology, over which one cannot step twice. This is the river Milosz faces while exploring ancient themes. He reflects upon the nature of imagination, human experience,...
Czeslaw Milosz did not believe he would ever return to the river valley in which he grew up. But in the spring of 1989, exactly fifty years after h...
Winner of the 1984 National Book Critics Circle Award for Criticism, this now classic collection of essays focuses on three often-overlooked elements of contemporary poetry: its depth of feeling and imagination; its high degree of often-concealed craft; and its connectedness with tradition.
Winner of the 1984 National Book Critics Circle Award for Criticism, this now classic collection of essays focuses on three often-overlooked elements ...
Robert Hass demonstrates once again the unmistakable intelligence and original voice that have won him both literary acclaim and the affection of a broad general readership. Here Hass extends and deepens his ongoing explorations of nature and human history, solitude, and the bonds of children, parents, and lovers. Here his passion for apprehending experience with language--for creating experience with language--finds supple form in poems that embrace all that is alive and full of joy. Sun Under Wood is the most impressive collection yet from one of our most accomplished...
Robert Hass demonstrates once again the unmistakable intelligence and original voice that have won him both literary acclaim and the affection of a...
The poems in Robert Hass's new collection--his first to appear in a decade--are grounded in the beauty and energy of the physical world, and in the bafflement of the present moment in American culture. This work is breathtakingly immediate, stylistically varied, redemptive, and wise.
His familiar landscapes are here--San Francisco, the Northern California coast, the Sierra high country--in addition to some of his oft-explored themes: art; the natural world; the nature of desire; the violence of history; the power and limits of language; and, as in his other books, domestic life and...
The poems in Robert Hass's new collection--his first to appear in a decade--are grounded in the beauty and energy of the physical world, and in the...
American readers have been fascinated, since their exposure to Japanese culture late in the nineteenth century, with the brief Japanese poem called the hokku or haiku. The seventeen-syllable form is rooted in a Japanese tradition of close observation of nature, of making poetry from subtle suggestion. Infused by its great practitioners with the spirit of Zen Buddhism, the haiku has served as an example of the power of direct observation to the first generation of American modernist poets like Ezra Pound and William Carlos Williams and also as an example of spontaneity and...
American readers have been fascinated, since their exposure to Japanese culture late in the nineteenth century, with the brief Japanese poem called...
