Drawing on hands-on experience from workshops and interviews, this innovative book explores the work of eight gender aware theatre and performance artists and companies. The authors offer rare insights into the processes as well as the practice of these artists and employ an 'inside', practical approach to understanding their ground-breaking work

This is a timely contribution to the debates regarding future possibilities for feminism, theater, and performance. An excellent, cross-generational mix of theater scholars (Sue-Ellen Case, Dee Heddon, Meenakshi Ponnuswami, Janelle Reinelt, Joanne Tompkins) and practitioners (Anna Furse, Leslie Hill and Helen Paris, SuAndi) engage in lively, cutting-edge critical debates on topics that include citizenship, autobiography, cultural heritage and politcal agency as circulating in contemporary feminism and performance.

Beyond representation poses the question as to whether over the last thirty years there have been signs of 'progress' or 'progressiveness' in the representation of 'marginalised' or subaltern identity categories within television drama in Britain and the US. In doing so it interrogates some of the key assumptions concerning the relationship between aesthetics and the politics of identity that have influenced and informed television drama criticism during this period. This book can function as a textbook because it provides students with a clear and coherent pathway through complex,...

In the first part of 'Seven Citadels', Prince Kerish, pampered favorite son of the Emperor of Galkis, and his half-brother Forollkin, are sent to find seven sorcerers who each hold the key to a gate. Legend says that that the seven gates imprison a Savior, who alone can save the embattled Galkian Empire and its Godborn rulers. In the dangerous world beyond Galkis, Kerish is forced to depend on his soldier brother. The prince soon discovers something that will make their quest much more difficult-if a sorcerer surrenders his key, he also gives up immortality. When the first sorcerer turns out...

In the second part of 'Seven Citadels', Prince Kerish and his soldier half-brother, Forollkin, continue their search for the keys to the Savior's prison. The ugly and irritating Gidjabolgo has his own reasons for joining the voyage through perilous swamps to the mountains where an immortal sorceress holds the third key. Beyond the mountains, the companions are captured by the nomadic Erandachi-the tribe of Kerish's long dead mother. Kerish and Forollkin are welcomed into the tribe but forbidden ever to leave. The prince falls for his cousin Gwerath but she is only interested in Forollkin. As...

In the third part of Seven Citadels', Prince Kerish, his half-brother Forollkin, his cousin Gwerath and the enigmatic Gidjabolgo, have escaped from the nomads and reached the corrupt Queendom of Seld. After battling the terrible creatures which guard the fourth citadel, worse dangers await Kerish in the ghostly kingdom of the tormented fifth sorcerer. In the brothers' homeland, Galkis, traitors are plotting to seize the throne and the barbarians have invaded. The quest for the legendary Savior seems more urgent than ever, but the eccentric sixth sorcerer makes the companions rethink their...

In the concluding part of Seven Citadels', Prince Kerish and his companions have been captured by the barbarians. A ruthless escape plan ends in tragedy. In war-torn Galkis, Kerish and his brother, Forollkin, are forced to part so that each can fight for the future in his own way. Disguised as musicians, Kerish and Gidjabolgo travel among the ordinary people of Galkis. Desperate to help them, Kerish continues his quest to save an Empire he no longer believes in. When Kerish and Gidjabolgo find the seventh sorcerer in the Forbidden Jungle of Jenze, startling truths are revealed. Kerish must...