Conrad s life and fiction are often read through the lens of Freudian thought, though Conrad understood his own health from a pre-Freudian perspective. Joseph Conrad and Psychological Medicine recovers that perspective, revises our understanding of Conrad s life, and rethinks the dominant themes of his work in light of pre-Freudian medical psychology. Beginning with a social history of late-nineteenth-century medical psychology and hysteria studies, Bock s study presents a clear and readable synopsis of fin-de-siecle theories of nervous disorder and moral insanity, shows how Conrad s doctors...

Through attention to incidents of betrayal and self-betrayal in his fiction, this book traces the development of Conrad's conception of identity through the three phases of his career: the self in isolation, the self in society and the sexualised self. It shows how the early fiction negotiates the opposed dangers of the self-ideal and the surrender to passion; how the middle fiction tests the ideal code psychologically and ideologically; and how the late fiction probes sexuality and morbid psychology.

Conrad's Secrets explores a range of knowledges which would have been familiar to Conrad and his original readers. Drawing on research into trade, policing, sexual and financial scandals, changing theories of trauma and contemporary war-crimes, the book provides contexts for Conrad's fictions and produces original readings of his work.

The Nature of a Crime, the third of three collaborations between Joseph Conrad and Ford Madox Ford, was originally written when the two men were living in Winchelsea, Sussex, in 1906, but not published in book form until 1924, shortly after Conrad's death. The story takes the form of a series of love letters written by the unnamed narrator to a married woman, who is visiting Rome. In them, he states his intention to commit suicide as he anticipates being found out in a financial scandal. This new edition includes both writers' prefaces, and Ford's description of his first collaboration with...

This study examines all of Conrad's Malay fiction. It focuses on cross-cultural encounters, cultural identity and cultural dislocation, paying particular attention to issues of race and gender. The author also situates Conrad's fiction in relation to earlier English accounts of South-East Asia.

Through attention to incidents of betrayal and self-betrayal in his fiction, this book traces the development of Conrad's conception of identity through the three phases of his career: the self in isolation, the self in society and the sexualised self. It shows how the early fiction negotiates the opposed dangers of the self-ideal and the surrender to passion; how the middle fiction tests the ideal code psychologically and ideologically; and how the late fiction probes sexuality and morbid psychology.

Joseph Conrad was, famously, trilingual in Polish, French and English, and was also familiar with German, Russian, Dutch and Malay. He was also a consummate stylist, using words with the precision of a poet in his fiction.
The essays in this collection examine his engagement with specific lexical sets and terminology - maritime language, the language of terror, and abstract language; issues of linguistic communication - speech, hearing, and writing; and his relationship to specific languages - his deployment of foreign languages, his decision to write in English, and his reception through...

CLASP is an exercise in collective remembering - with, as Lawrence Upton's essay suggests, a consciousness of memory work as also a process of selecting, forgetting and inventing. The original plan had been to focus on the 1970s, the decade during which Ken Edwards and I] had co-edited Alembic with Peter Barry. Some of those we approached felt they could not usefully remember enough of their poetry activities in this period; some were reluctant to return to the past. Also, as the project developed, it became clear that the original plan wouldn't work: the history did not fit neatly into the...

The essays in this collection examine Conrad's engagement with specific lexical sets and terminology maritime language, the language of terror, and abstract language; issues of linguistic communication speech, hearing, and writing; and his relationship to specific languages.