Just out of college, Patricia Hampl was mesmerized by a Matisse painting she saw in the Art Institute of Chicago: an aloof woman gazing at goldfish in a bowl, a mysterious Moroccan screen behind her. This woman seemed a welcome secular version of the nuns of Hampl's girlhood, free and untouchable, a poster girl for twentieth-century feminism. In Blue Arabesque, Hampl explores the allure of that woman, immersed in leisure, so at odds with the increasing rush of the modern era. Her tantalizing meditation takes us to the Cote d'Azur and North Africa, from cloister to harem, pondering...
Just out of college, Patricia Hampl was mesmerized by a Matisse painting she saw in the Art Institute of Chicago: an aloof woman gazing at goldfish in...
"A religious cliff-hanger--intimate, compelling, hard to put down." SAN FRANCISCO CHRONICLE Eager to shake off the indelible brand of a Catholic upbringing, Patricia Hample seeks the "old world" of Catholicism. On her pilgrimage she meets others seekers--crotchety English agnostics, American Franciscan friars and nuns, and the seekers that fill every charter flight. Inevitably, too, she finds the "old world" right at home, in the very past she had tried to escape. But what she is looking for confronts her, finally, on a rereat at a monastery near the Lost Coast of northern California in...
"A religious cliff-hanger--intimate, compelling, hard to put down." SAN FRANCISCO CHRONICLE Eager to shake off the indelible brand of a Catholic...
In this timely gathering, Patricia Hampl, one of our most elegant practitioners, "weaves personal stories and grand ideas into shimmering bolts of prose" (Minneapolis Star Tribune) as she explores the autobiographical writing that has enchanted or bedeviled her. Subjects engaging Hampl's attention include her family's response to her writing, the ethics of writing about family and friends, St. Augustine's Confessions, reflections on reading Walt Whitman during the Vietnam War, and an early experience reviewing Sylvia Plath. The word that unites the impulse within all the pieces is "Remember "...
In this timely gathering, Patricia Hampl, one of our most elegant practitioners, "weaves personal stories and grand ideas into shimmering bolts of pro...
F. Scott Fitzgerald's St. Paul is a city of winter dreams and ice palaces, lakeside parties and neighborhood hijinks. These are stories of ambition and young love, insecurity and awkwardness, where a poor boy with energy and intelligence can break into the upper classes and become a glittering success.
This selection brings together the best of Fitzgerald's St. Paul stories--some virtually unknown, others classics of short fiction. Patricia Hampl's incisive introduction traces the trajectory of Fitzgerald's blazing celebrity and its connections to his life in the city that gave him...
F. Scott Fitzgerald's St. Paul is a city of winter dreams and ice palaces, lakeside parties and neighborhood hijinks. These are stories of ambition an...
Charles Lamb, one of the most engaging personal essayists of all time, began publishing his unforgettable, entertaining Elia essays in the "London Magazine" in 1820; they were so immediately popular that a book-length collection was published in 1823. Inventing the persona of Elia allowed Lamb to be shockingly honest and to gain a playful distance for self-examination. The resulting essays touch upon a wide range of compelling subjects from the deliciously humorous Dissertation upon Roast Pig to the poignantly reflective New Year's Eve. Yet collectively they also comprise a fascinating...
Charles Lamb, one of the most engaging personal essayists of all time, began publishing his unforgettable, entertaining Elia essays in the "London ...
When Patricia Hampl's first book of poems, Woman Before an Aquarium, appeared in 1978, Choice called it "a generous . . . first collection," and Virginia Quarterly Review characterized her work as "a poetry of accumulated details, strikingly presented." Now, after the success of her brilliant prose memoir, A Romantic Education, which won a Houghton Mifflin Literary Fellowship, Hampl has taken her poetry a step further in her new collection, Resort. The classical themes of beauty and love, loss and memory have always formed the core of Hampl's work. Here, they are treated in a series of...
When Patricia Hampl's first book of poems, Woman Before an Aquarium, appeared in 1978, Choice called it "a generous . . . first collection," and Virgi...
During the long farewell of her mother's dying, Patricia Hampl revisits her midwestern girlhood.Daughter of a debonair Czech father, whose floral work gave him entree to St. Paul society, and a distrustful Irishwoman with an uncanny ability to tell a tale, Hampl remained, primarily and passionately, a daughter well into adulthood. She traces the arc of faithfulness and struggle that comes with that role--from the postwar years past the turbulent sixties. At the heart of The Florist's Daughter is the humble passion of people who struggled out of the Depression into a better chance, not only...
During the long farewell of her mother's dying, Patricia Hampl revisits her midwestern girlhood.Daughter of a debonair Czech father, whose floral work...
"With ME, Brenda Ueland wrote a true book and it is her masterpiece."--Patricia Hampl, from the introduction
In work, in play, in marriage, in bringing up her daughter, in her reading (she says she was much influenced by Van Gogh's letters), in the real pressure of experience, the author passed from adolescence to maturity and found her own way to fullness in life.
Brenda Ueland (1891-1985) was the author of three best-selling books: If You Want to Write, ME, and Strength to Your Sword Arm: Selected Writings (Holy Cow Press).
"With ME, Brenda Ueland wrote a true book and it is her masterpiece."--Patricia Hampl, from the introduction
