How can we affirm the independence of critical artists and intellectuals when confronted by the new crusaders of Western culture, the neo-conservative champions of morality and good taste, the sponsorship of multinationals and the patronage of the state, and the self-indulgent preoccupations of fashionable theorists who have lost all touch with reality? How can we safeguard the world of free exchange which is, and must remain, the world of artists, writers and scholars? These are some of the questions discussed by the leading social thinker Pierre Bourdieu and the artist Hans Haacke in this...
How can we affirm the independence of critical artists and intellectuals when confronted by the new crusaders of Western culture, the neo-conservative...
Hans Haacke's art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context -- the economic, social, and political conditions of the art world and the world at large. Among his best-known works are MoMA-Poll (1970), which polled museumgoers on their opinions about Nelson Rockefeller and the Nixon administration's Indochina policy; Gallery-Goers' Birthplace and Residence Profile (1969), which canvassed visitors to the Howard Wise Gallery in Manhattan; and the famously canceled 1971 solo exhibition at the Guggenheim Museum,...
Hans Haacke's art articulates the interdependence of multiple elements. An artwork is not merely an object but is also its context -- the economic,...
