"If salvaging truth becomes difficult in cultures which keep rebuilding and changing their pasts or accept annually the repetitions of natural renewal, Debora Greger's Movable Islands demonstrates that it can still be done successfully."--Jerome Mazzaro, The Hudson Review
Originally published in 1980.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books...
"If salvaging truth becomes difficult in cultures which keep rebuilding and changing their pasts or accept annually the repetitions of natural rene...
pink as dead shrimp, the unborn curls in its tide pool--seed pearl
whose mother lusters over irritant love it's too late to dislodge;
little anemone, shrinking from touch. So and holds separate what it most closely binds.
Review:
"Ms. Greger's poems take place at the point of encounter between the mind and the world of matter. . . . And it is the resistance of the real and the increasing urgency the poet feels in trying to extinguish her solitude . . . that make these poems emotional."--The New York...
From the title poem:
Ampersand
pink as dead shrimp, the unborn curls in its tide pool--seed pearl
While seeming to affirm the Western poetic and cultural tradition, Greger attacks its rational heart. The subjects of her poems--Mozart operas, Botticelli's Three Graces, narcissus flowers--are the vestments of aristocratic Europe, but her poetic issue is stream-of-consciousness.
Originally published in 1990.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while...
While seeming to affirm the Western poetic and cultural tradition, Greger attacks its rational heart. The subjects of her poems--Mozart operas, Bot...
