Memoirs in which trauma takes a major or the major role challenge the limits of autobiography. Leigh Gilmore presents a series of "limit-cases" texts that combine elements of autobiography, fiction, biography, history, and theory while representing trauma and the self and demonstrates how and why their authors swerve from the formal constraints of autobiography when the representation of trauma coincides with self-representation. Gilmore maintains that conflicting demands on both the self and narrative may prompt formal experimentation by such writers and lead to texts that are not, strictly...
Memoirs in which trauma takes a major or the major role challenge the limits of autobiography. Leigh Gilmore presents a series of "limit-cases" texts ...
Memoirs in which trauma takes a major--or the major--role challenge the limits of autobiography. Leigh Gilmore presents a series of "limit-cases"--texts that combine elements of autobiography, fiction, biography, history, and theory while representing...
Memoirs in which trauma takes a major--or the major--role challenge the limits of autobiography. Leigh Gilmore presents a series of "limit-cases"--tex...
In 1991, Anita Hill's testimony during Clarence Thomas's Senate confirmation hearing brought the problem of sexual harassment to a public audience. Although widely believed by women, Hill was defamed by conservatives and Thomas was confirmed to the Supreme Court. The tainting of Hill and her testimony is part of a larger social history in which women find themselves caught up in a system that refuses to believe what they say. Hill's experience shows how a tainted witness is not who someone is, but what someone can become. Why are women so often considered unreliable witnesses to their own...
In 1991, Anita Hill's testimony during Clarence Thomas's Senate confirmation hearing brought the problem of sexual harassment to a public audience. Al...