This study examines the exchange between literature and recreational practices in 1930s America. William Solomon argues that autobiographical writers like Edward Dahlberg and Henry Miller derived aesthetic inspiration from urban manifestations of the carnival spirit: Coney Island amusement parks, burlesque, vaudeville, and the dime museum display of human oddities. More broadly, he demonstrates that the literary projects of the period pivoted around images of grotesquely disfigured bodies which appeared as part of this recreational culture.

Disjunctive Poetics examines some of the most interesting and experimental contemporary writers whose work forms a counterpoint to the mainstream writing of our time. Peter Quartermain suggests that the explosion of noncanonical modern writing is linked to the severe political, social, and economic dislocation of non-English-speaking immigrants who, bringing alternative culture with them as they passed through Ellis Island in their hundreds of thousands at the turn of the century, found themselves uprooted from their tradition and disassociated from their culture. The line of American poetry...

The Divided Mind examines the debate between innovation and tradition in American culture of the early years of the twentieth century.

This book is a study of the development of New England literature and literary institutions from the American Revolutionary era to the late nineteenth century. Professor Buell explores the foundations, growth and literary results of the professionalization of the writing vocation. He pays particular attention to the major writers - Emerson, Thoreau, Hawthorne, Stowe and Dickinson - but surveys them with a number of lesser-known authors, and explores the conventions, values and institutions which affected them all. Some of the main topics covered include the distinctive features of the Early...

In this volume, seven renowned critics present different views of Wallace Stevens' place in the evolution of Modernist poetry.

This study proposes interpretive strategies for nineteenth-century American women's novels.

Afrocentrism and its history have long been disputed and controversial. In this important book, Wilson Moses presents a critical and nuanced view of the issues. Tracing the origins of Afrocentrism since the eighteenth century, he examines the combination of various popular mythologies, some of them mystical and sentimental, others perfectly reasonable. A level presentation in what is often a shouting match, Afrotopia is a rich history of black intellectual life and the concept of race.

Throughout the nineteenth century, American authors such as Henry James, William Dean Howells, and Noah Webster displayed a fascination with women's speech--describing how women's voices sound, what happens when women speak, and what reactions their speech produces, especially in their male listeners. Voices of the Nation argues that closer inspection of these recurring descriptions also performed political work that has had a profound--though unspecified to date--impact on American culture.

In The Tenth Muse, Albert Gelpi asks the hard questions about how poetry can take on for itself the problems of shaping American identities and argues that the conditions of American life and culture have pushed our major poets into a debate between intellect and passion. Gelpi provides thorough readings of major American poets from Bradstreet and Taylor up to the modernists, often using contemporary poets (Rich, Ginsberg, Duncan) as frames for those predecessors. Originally published in 1975 in hardcover only by Harvard University Press

Self and Sensibility in Contemporary American Poetry is an inquiry into the cultural roles lyric poetry does and can play in our age.