Insatiable bloodlust, dangerous sexualities, the horror of the undead, uncharted Trannsylvanian wildernesses, and a morbid fascination with the other': the legend of the vampire continues to haunt popular imagination. Reading the Vampire examines the vampire in all its various manifestations and cultural meanings. Ken Gelder investigates vampire narratives in literature and in film, from early vampire stories like Sheridan Le Fanu's lesbian vampire' tale Carmilla and Bram Stoker's Dracula, the most famous vampire narrative of all, to contemporary American vampire...
Insatiable bloodlust, dangerous sexualities, the horror of the undead, uncharted Trannsylvanian wildernesses, and a morbid fascination with the other'...
Insatiable bloodlust, dangerous sexualities, the horror of the undead, uncharted Trannsylvanian wildernesses, and a morbid fascination with the other': the legend of the vampire continues to haunt popular imagination. Reading the Vampire examines the vampire in all its various manifestations and cultural meanings. Ken Gelder investigates vampire narratives in literature and in film, from early vampire stories like Sheridan Le Fanu's lesbian vampire' tale Carmilla and Bram Stoker's Dracula, the most famous vampire narrative of all, to contemporary American vampire...
Insatiable bloodlust, dangerous sexualities, the horror of the undead, uncharted Trannsylvanian wildernesses, and a morbid fascination with the other'...
Horror has been one of the most spectacular and controversial genres in both cinema and fiction - its wild excesses relished by some, vilified by many others. Often defiantly marginal, it nevertheless inhabits the very fabric of everyday life, providing us with ways of imagining and classifying our world; what is evil and what is good; what is monstrous and what is 'normal'; what can be seen and what should remain hidden. The Horror Reader brings together 29 key articles to examine the enduring resonance of horror across culture. Spanning the history of horror in literature and film and...
Horror has been one of the most spectacular and controversial genres in both cinema and fiction - its wild excesses relished by some, vilified by many...
Blood-sucking vampires, serial killers, ghosts and ghouls, monsters and freaks--horror provides us with a way of imagining and classifying our world. Through 29 essays, "The Horror Reader" explores the questions of what is evil and what is good; what is monstrous and what is "normal"; what can be seen and what should remain hidden. Covering classic gothic literature and spanning the history of horror in literature and film, it brings together essential writings on this most spectacular and controversial of genres. The range of topics is vast-from Edgar Allan Poe to "Frankenstein" to" The...
Blood-sucking vampires, serial killers, ghosts and ghouls, monsters and freaks--horror provides us with a way of imagining and classifying our world. ...
Subcultures come in many different forms, from teds and skinheads to skateboarders, clubbers, New Age travelers and comic book fans. "The Subcultures Reader" brings together key writings on subcultures beginning with the early work of the Chicago School on "deviant" social groups such as gangs and taxi-dancers, and research from the Centre for Contemporary Cultural Studies at the University of Birmingham during the 1970s on working-class youth cultures and punks. These classic texts are combined with essential contemporary writings on an eclectic array of subcultural formations defined...
Subcultures come in many different forms, from teds and skinheads to skateboarders, clubbers, New Age travelers and comic book fans. "The Subcultures ...
Subcultures come in many different forms, from teds and skinheads to skateboarders, clubbers, New Age travellers and comic book fans. The Subcultures Reader brings together key writings on subcultures beginning with the early work of the Chicago School on 'deviant' social groups such as gangs and taxi-dancers, and research from the Centre for Contemporary Cultural Studies at the University of Birmingham during the 1970s on working-class youth cultures and punks. These classic texts are combined with essential contemporary writings on an eclectic array of subcultural formations defined through...
Subcultures come in many different forms, from teds and skinheads to skateboarders, clubbers, New Age travellers and comic book fans. The Subcultures ...
Popular fiction sells in the millions, surrounded by an immense industry of producers, distributors and promoters. Yet despite its prevalence it has often been neglected as a subject for academic study. In this groundbreaking book, Ken Gelder offers a lively and comprehensive account of popular fiction as a distinctive literary and cultural field, tied directly to the logics and practices of entertainment and industry. Drawing on a wide range of popular novelists, from Sir Walter Scott and Marie Corelli to Ian Fleming, J. K. Rowling and Stephen King, the book describes for the first time...
Popular fiction sells in the millions, surrounded by an immense industry of producers, distributors and promoters. Yet despite its prevalence it has o...
This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London's 'Elizabethan underworld', taking the rogue and vagabond as subcultural prototypes: the basis for Marx's later view of subcultures as the lumpenproletariat, and Henry Mayhew's view of subcultures as 'those that will not work'. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions, values, rituals, and so on - but they can also seem 'immersed' or self-absorbed. This book identifies...
This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London's 'Eliz...
This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London's 'Elizabethan underworld', taking the rogue and vagabond as subcultural prototypes: the basis for Marx's later view of subcultures as the lumpenproletariat, and Henry Mayhew's view of subcultures as 'those that will not work'. Subcultures are always in some way non-conforming or dissenting. They are social - with their own shared conventions, values, rituals, and so on - but they can also seem 'immersed' or self-absorbed. This book identifies...
This book presents a cultural history of subcultures, covering a remarkable range of subcultural forms and practices. It begins with London's 'Eliz...
Subcultures attract a great deal of interest, both in popular media and in academic work.
Comprehensive and fascinating, these four volumes represent work on subcultures across several disciplines: cultural history, cultural studies, criminology and sociology. Beginning by looking at accounts of subcultures in sixteenth-century England, the set then presents case studies that contrast work on gangs and graffiti with CCCS work on subcultures. Volume three then follows CCCS work on punks, by turning to music subcultures, and, lastly, the fourth volume highlights five recent trends in...
Subcultures attract a great deal of interest, both in popular media and in academic work.
Comprehensive and fascinating, these four volumes...