This new edition of Choephori takes into account the abundance of recent scholarship on Aeschylus' work. A. F. Garvie's introduction discusses the pre-Aeschylean Orestes tradition in literature and art, the character of the play itself--its ideas, imagery, structure, and staging--and the state of the transmitted text. This edition reprints the Greek text and critical apparatus from the well-received Oxford Classical Text, edited by D. L. Page, and includes 350 pages of commentary devoted to problems of interpretation, style and dramatic technique.

This is the first self-contained edition of Books VI-VIII of the Odyssey--the account of Odysseus' time among the Phaeacians, and a popular introduction to Homer. While not neglecting matters of language and formulaic composition, the Commentary aims to provide guidance on questions of literary and narrative technique and poetic artistry. The Introduction deals with the problem of Homeric composition in general, and with the place of the Phaeacian books in the poem as a whole. There are also brief sections on Homeric meter and the text.

This book's first appearance (1969) was a full response to the publication (in 1952) of a papyrus fragment from Oxyrhynchus which indicated a late production date (in the 460s BC) for Aeschylus' Supplices, thus upsetting the previous scholarly consensus that it was an early work - indeed the earliest Greek tragedy to survive. There was, the book argued, no longer good reason to suppose that the play belonged to an early stage in its author's development. A final chapter also examined the evidence for reconstruction of the other, lost plays of the trilogy.The present (and first paperback)...

Aeschylus' Persae, first produced in 472 BC, is the oldest surviving Greek tragedy. It is also the only extant Greek tragedy that deals, not with a mythological subject, but with an event of recent history, the Greek defeat of the Persians at Salamis in 480 BC. Unlike Aeschylus' other surviving plays, it is apparently not part of a connected trilogy. In this new edition A. F. Garvie encourages the reader to assess the Persae on its own terms as a drama. It is not a patriotic celebration, or a play with a political manifesto, but a genuine tragedy, which, far from presenting a simple moral of...