This volume considers prewar theatre in Hitler's Germany, a previously neglected subject in theatre history. An extended introduction sets the theatre scene of 1933 and charts the major theatre regulations and organizations formed that year. The initial essay examines the unified folk community used to achieve power and served by purged and revived German art. Plays that achieved great success in Nazi Germany--Die endlose Strasse by Sigmund Graff and six works by Eberhard Wolfgang Moller--are considered. In essays devoted to specific theatres, the work examines how Reinhardt's...