Death and dying once seemed definitive, public, and appropriate; but the Industrial Revolution, the Great War, and the reenvisioning of reality by scientists and philosophers destabilized cultural norms. In Fictional Death and the Modernist Enterprise Friedman traces the semiotics of death and dying in twentieth-century fiction, history, and culture. He describes how modernist writers either elided rituals of dying, or, rediscovering the body, transformed Victorian "aesthetic death" into modern "dirty death." And he shows how, through postmodern fiction and AIDS narratives, death has once...
Death and dying once seemed definitive, public, and appropriate; but the Industrial Revolution, the Great War, and the reenvisioning of reality by sci...
John Flowerdrew Alan Warren Friedman J. R. Flowerdew
A collection of original papers by researchers working in the field which comprehensively addresses the area of second language academic listening. This collection of original papers comprehensively addresses the area of second language academic listening. The papers are grouped under five broad headings. The first section provides an overview of research relevant to second language lecture comprehension. The second analyses aspects of the cognitive processes involved in listening comprehension. In the third section, the object of the comprehension process is examined, and in the fourth,...
A collection of original papers by researchers working in the field which comprehensively addresses the area of second language academic listening. Th...
"Irishness" has often meant self-dramatization because Ireland is commonly represented as a nation of storytellers, musicians, and virtuoso performers. Like many of their characters, Joyce and Beckett were superb musicians, creators of performance, and they sought both to evoke and exhaust the resources and rhythms of language and performance. In this groundbreaking work, Alan W. Friedman explores the rich historical and literary backgrounds of this distinctly Irish phenomenon. He explains its cultural significance and discusses the major works of both authors, illustrating the diverse ways...
"Irishness" has often meant self-dramatization because Ireland is commonly represented as a nation of storytellers, musicians, and virtuoso performers...
"Irishness" has often meant self-dramatization because Ireland is commonly represented as a nation of storytellers, musicians, and virtuoso performers. Like many of their characters, Joyce and Beckett were superb musicians, creators of performance, and they sought both to evoke and exhaust the resources and rhythms of language and performance. In this groundbreaking work, Alan W. Friedman explores the rich historical and literary backgrounds of this distinctly Irish phenomenon. He explains its cultural significance and discusses the major works of both authors, illustrating the diverse ways...
"Irishness" has often meant self-dramatization because Ireland is commonly represented as a nation of storytellers, musicians, and virtuoso performers...
Death and dying once seemed definitive, public, and appropriate; but the Industrial Revolution, the Great War, and the reenvisioning of reality by scientists and philosophers destabilized cultural norms. In Fictional Death and the Modernist Enterprise Friedman traces the semiotics of death and dying in twentieth-century fiction, history, and culture. He describes how modernist writers either elided rituals of dying, or, rediscovering the body, transformed Victorian "aesthetic death" into modern "dirty death." And he shows how, through postmodern fiction and AIDS narratives, death has once...
Death and dying once seemed definitive, public, and appropriate; but the Industrial Revolution, the Great War, and the reenvisioning of reality by sci...
This book addresses the urgent need for rigorous and creative examination of how new theoretical principles, sociocultural investments, and pedagogical technologies inform classroom teaching. Written by current and former graduate and faculty instructors of English at the University of Texas at Austin--a department that has been centrally involved in national controversies over literary multiculturalism, the politics of writing instruction, and the development of academic computer technology--this collection constitutes a uniquely situated engagement with the most pressing contemporary...
This book addresses the urgent need for rigorous and creative examination of how new theoretical principles, sociocultural investments, and pedagog...
In Forms of Modern British Fiction six individualistic and strongminded critics delineate the "age of modernism" in British fiction. Dating the age and the movement from later Hardy works through the deaths of Joyce and Woolf, they present British fiction as a cohesive, self-contained unit of literary history.
Hardy appears as the first of the modern British novelists, Lawrence as the central, and Joyce and Woolf as the last. The writers and the modern movement are framed by precursors, such as Galsworthy, and by successors, Durrell, Beckett, and Henry Green--the...
In Forms of Modern British Fiction six individualistic and strongminded critics delineate the "age of modernism" in British fiction. D...
The Peruvian Mario Vargas Llosa has been acclaimed throughout the literary world as one of Latin America's finest writers, yet until recently little has been written about his work in English. While his work has the subject of an increasing flow of critical commentary in Spanish and his major novels have been translated into English, this is the first full-scale critical treatment of Vargas Llosa published in the English language.
These articles by a number of established writers and critics appraise Vargas Llosa's individual novels as well as the body of his work. The Time of...
The Peruvian Mario Vargas Llosa has been acclaimed throughout the literary world as one of Latin America's finest writers, yet until recently littl...
