Queen Victoria was both Supreme Head of the Church of England and an ardent playgoer. At the beginning of her reign considerable antagonism existed between the Church and the theater, but by the end the reconciliation was almost complete. This book explores the process in terms of trends in religious thought (the Oxford Movement and Christian-Socialism), other contemporary developments such as urbanization, education and women's emancipation and the principal protagonists: clergymen, dramatists, actors and actresses.
Queen Victoria was both Supreme Head of the Church of England and an ardent playgoer. At the beginning of her reign considerable antagonism existed be...
During the nineteenth century, the performance of Shakespeare's plays contributed to the creation of a sense of British nationhood at home and overseas. In this book Richard Foulkes explores the political and social uses of Shakespeare through the nineteenth and into the twentieth century and the movement from the consideration of Shakespeare as an enterprise to that of enshrinement as a cultural icon. An examination of leading Shakespearian actors, managers and directors, from Britain and abroad, is also included in the study.
During the nineteenth century, the performance of Shakespeare's plays contributed to the creation of a sense of British nationhood at home and oversea...
Queen Victoria was both Supreme Head of the Church of England and an ardent playgoer. At the beginning of her reign considerable antagonism existed between the Church and the theater, but by the end the reconciliation was almost complete. This book explores the process in terms of trends in religious thought (the Oxford Movement and Christian-Socialism), other contemporary developments such as urbanization, education and women's emancipation and the principal protagonists: clergymen, dramatists, actors and actresses.
Queen Victoria was both Supreme Head of the Church of England and an ardent playgoer. At the beginning of her reign considerable antagonism existed be...
During the nineteenth century, the performance of Shakespeare's plays contributed to the creation of a sense of British nationhood at home and overseas. In this book Richard Foulkes explores the political and social uses of Shakespeare through the nineteenth and into the twentieth century and the movement from the consideration of Shakespeare as an enterprise to that of enshrinement as a cultural icon. An examination of leading Shakespearian actors, managers and directors, from Britain and abroad, is also included in the study.
During the nineteenth century, the performance of Shakespeare's plays contributed to the creation of a sense of British nationhood at home and oversea...
The contributions to this book constitute a concerted account of the place of Shakespeare in the Victorian theatre and the cultural life of the country in the nineteenth century. They explore the changing styles of acting and staging used for Shakespeare's plays by Macready, Charles Kean, the Irvings, Ellen Terry and Beerbohm Tree, and examine Shakespeare's influence on Victorian dramatists (Sheridan Knowles, Albery and W.S. Gilbert) and the relationship between the stage and the allied arts of painting (David Scott, the Pre-Raphaelites and Alma-Tadema) and music (Sullivan). During Queen...
The contributions to this book constitute a concerted account of the place of Shakespeare in the Victorian theatre and the cultural life of the countr...
In this fascinating collection, leading scholars examine the final decade of the nineteenth century; one of the most exciting and productive in the history of the British theatre.
In this fascinating collection, leading scholars examine the final decade of the nineteenth century; one of the most exciting and productive in the hi...
