The study of oral traditions and verbal arts leads into an area of human culture to which anthropologists are increasingly turning their attention. Oral Traditions and the Verbal Arts provides up-to-date guidance on how to approach the study of oral form and their performances, treating both the practicalities of fieldwork and the methods by which oral texts and performances can be observed, collected or analysed. It also relates to those current controversies about the nature of performance and of 'text'.
Designed as a practical and systematic introduction to the processes and...

These original essays study ritual language and parallelism (the strict ordering of words and phrases in alternative, duplicate form). The introduction puts the topic in historical perspective and what was once viewed as a composition form unique to ancient Hebrew is now seen as a feature common to literatures around the world. Here is the first book to compare in detail living traditions of parallel composition. Yet, despite the diversity of languages discussed by the contributors, their materials are drawn from a single cultural area still unknown to most specialists: Eastern Indonesia. All...

Based on intensive fieldwork in an urban American junior high school, this original study explores the relationship between oral and written texts in everyday life by analysing tellings and retellings of local events, diaries, writings and discussions.

In the last few years, social historians have discovered what might be called the ?linguistic dimension? of their discipline, just as sociolinguists have been discovering the ?historical dimension? and historians of language the ?social dimension?. They have become interested in language both as a source for social history and also as a historical phenomenon in its own right. This volume of essays brings together some of this recent work by social historians of Britain, France and Italy from the sixteenth to the twentieth century. The authors concern themselves with the politics as well as...

Based on intensive fieldwork in an urban American junior high school, this original study explores the relationship between oral and written texts in everyday life by analysing tellings and retellings of local events, diaries, writings and discussions.

Scholars are becoming increasingly aware that, despite its written literature, ancient Greece was in many aspects an oral society. In the first major attempt to study the implications of this discovery, Dr. Thomas stresses the coexistence of literacy and oral tradition in Greece and examines their interaction. Concentrating on the plentiful evidence of Classical Athens, she shows how the use of writing developed only gradually and under the influence of the previous oral communications. Using insights from anthropology, the author isolates different types of Athenian oral tradition,...

How do we picture urban life and formulate our experience of it? Tales of the City brings together the academics' abstract tales with the vivid stories about a particular city, Milton Keynes, and the often moving self narrations of its residents. It explores the role of story-telling processes for the creative constructing of experience, with particular attention to personal narrations. The story that is now emerging, told by many individual actor narrators, is of the city as a natural setting for human life, in stark contrast to the pessimistic anti-urban tales of many academic narrators....

Ivan the Terrible has long been a controversial figure. Some historians regard him as a crazed and evil tyrant; while others (especially Soviet scholars of the Stalin period) have viewed him as a progressive and far-sighted statesman. The folklore about Ivan has played an important part in these debates. Was Ivan's depiction in folklore favourable or hostile? And how far can it be regarded as evidence of contemporary popular attitudes towards the tsar? In this unusual and far-ranging study, Maureen Perrie discusses the nature of Ivan's image in Russian folklore; its historical basis; its...

A landmark in the study of music and culture, this acclaimed volume documents the remarkable scope of amateur music-making in the English town of Milton Keynes. It presents in vivid detail the contrasting yet overlapping worlds of classical orchestras, church choirs, brass bands, amateur operatic societies, and amateur bands playing jazz, rock, folk, and country. Notable for its contribution to wider theoretical debates and its influential challenge to long-held assumptions about music and how to study it, the book focuses on the practices rather than the texts or theory of music, rejecting...