Listen to what they did.
Don't listen to what they said.
What was written in blood
Has been set up in lead.
--from "Blood and Lead"

The leading poet of his generation, James Fenton has over the course of his career built a body of work breathtaking in its range and sensibility. From the passionate political poems that launched him into fame to the intimate illuminations of love--and loss of love--in his later work, Fenton's poetry has always been marked by formal daring, wit, and an abiding empathy for the victims of war and political...

Fenton's work is elegant, highly finished, reticent, witty. Disturbing and deeply affecting, Children in Exile remains an exhilarating and memorable performance.

"Quite simply, Fenton's poems are frightening." - The New York Times Book Review

Out of Danger (1994) was Fenton's first collection of poems in ten years, and the poems in it renew and amplify the qualities of unflinching observation and freewheeling verbal play that made his earlier Children in Exile so distinctive and distinguished. The poems in this book's title sequence address the dangers of love, and the love of danger; Fenton proposes that in love, politics, and poetry alike the truth is "something you say at your peril" and yet "something you shouldn't contain." Part II of the book, "Out of the East," is a series of ironical fight songs about...

Sharp-eyed critiques and appreciations of the essential poets of our time. James Fenton is unique among contemporary writers in having achieved equal distinction as a poet and -- in his reportage and criticism -- as a master of trenchant prose. What is more, he has shown himself a devoted critic of both American and British modern poetry, an explainer of each tradition to the other and to itself. In these lectures, delivered at Oxford (where he succeeded Seamus Heaney as Professor of Poetry from 1994 to 1999), Fenton moves easily from Philip Larkin's laments for the British Empire, to...

"An engaging mix of the serious and the playful, and Fenton writes with a lightness of touch perfectly suited to the subject." --Alexander Urquhart, The Times Literary Supplement

Forget structure. Forget trees, shrubs, and perennials. As James Fenton writes, "This is not a book about huge projects. It is about thinking your way toward the essential flower garden, by the most traditional of routes: planting some seeds and seeing how they grow."

In this light hearted, instructive, original "game of lists," Fenton selects one hundred plants he would choose to grow...

A wise, absorbing, and surprising introduction to poetry written in English, from one of England's leading poets

James Fenton is that rare scholar "not ashamed to admit that he mostly reads for pleasure" (Charles Simic, The New York Review of Books). In this eminently readable guide to his abiding passion, he has distilled the essense of a library's--and a lifetime's--worth of delight.

The pleasures of his own verse can be found in abundance here: economy, a natural ease, and most of all, surprise. What is English poetry? Fenton argues that it includes any recited...

Three Libretti--Ranging In Setting From Ancient Jerusalem To Pre-Apocalyptic London--From An Acclaimed Poet

This volume of libretti marks new work--and new terrain--for James Fenton. Commissioned by companies in New York and England, these musical pieces make the most of the poet's poignant, witty, and characteristically lyrical verse. Whether evoking modern-day London on the edge of apocalypse in The Love Bomb, a timeless land beyond the moon in this version of Salman Rushdie's children's novel Haroun and the Sea of Stories, or ancient Jerusalem in his stirring...