"The Sixties." The powerful images conveyed by those two words have become an enduring part of American cultural and political history. But where did Sixties radicalism come from? Who planted the intellectual seeds that brought it into being? These questions are answered with striking clarity in Andrew Jamison and Ron Eyerman's book. The result is a combination of history and biography that vividly portrays an entire culture in transition.

The authors focus on specific individuals, each of whom in his or her distinctive way carried the ideas of the 1930s into the decades after World War...

In this collaboratively authored work, five distinguished sociologists develop an ambitious theoretical model of "cultural trauma"--and on this basis build a new understanding of how social groups interact with emotion to create new and binding understandings of social responsibility. Looking at the "meaning making process" as an open-ended social dialogue in which strikingly different social narratives vie for influence, they outline a strongly constructivist approach to trauma and apply this theoretical model in a series of extensive case studies, including the Nazi Holocaust, slavery in...

This book explores the formation of the African-American identity through the theory of cultural trauma. The trauma in question is slavery, not as an institution or as personal experience, but as collective memory--a pervasive remembrance that grounded a people's sense of itself. Ron Eyerman offers insights into the intellectual and generational conflicts of identity-formation which have a truly universal significance, and provides a new and compelling account of the birth of African-American identity.

Music and song are central to modern culture--social movements to cultural change. Building on their studies of the sixties culture and the theory of cognitive praxis, the authors examine the mobilization of cultural traditions and the formation of new collective identities through the music of activism. Specific chapters examine American folk and country music, black music, music of the sixties, and the transfer of the American experience to Europe. This highly readable book is among the first to link social movement and cultural theory.

The cultural and performative turns in social theory have enlivened sociology. For the first time these new developments are fully integrated into new approaches to the sociology of the arts in this important new book. Building on the established research into art worlds, what is interesting for the new sociology of the arts, understood in the broad sense to include popular culture as well the classical focus on music, painting, and literature, is the relationship between art works and meaning, myth, and performance. Also reflected in these rich essays, which range from Beethoven to John...

The cultural and performative turns in social theory have enlivened sociology. For the first time these new developments are fully integrated into new approaches to the sociology of the arts in this important new book. Building on the established research into art worlds, what is interesting for the new sociology of the arts, understood in the broad sense to include popular culture as well the classical focus on music, painting, and literature, is the relationship between art works and meaning, myth, and performance. Also reflected in these rich essays, which range from Beethoven to John...

The old assumption that modernization leads to secularization is outdated. Yet the certainty that religion is an anthropological universal that can only be suppressed by governments is also dead. Thus it is now a favorable moment for a new perspective on religion. This book takes human experiences of self-transcendence as its point of departure. Religious faith is seen as an attempt to articulate and interpret such experiences. Faith then is neither useful nor a symptom of weakness or misery, but an opening up of ways of experience. This book develops this basic idea, contrasts it with the...

In this book Ron Eyerman examines the role of intellectuals in the new modern order, considering the impact of recent social changes on the nature of contemporary intellectual culture.

The South African Truth and Reconciliation Commission (TRC) is a modern social drama that enabled the nation's apartheid past to be constructed as a cultural trauma, and by doing so created a new collective narrative of diversity and inclusion. The TRC relied primarily on testimonies from victims and perpetrators of apartheid violence who came forward to tell their stories in a public forum. Rather than simply serving as data for setting the historical record straight, this book shows that it was not only the content of these testimonies but also how these stories were told and what values...

This book explores the formation of the African-American identity through the theory of cultural trauma. The trauma in question is slavery, not as an institution or as personal experience, but as collective memory--a pervasive remembrance that grounded a people's sense of itself. Ron Eyerman offers insights into the intellectual and generational conflicts of identity-formation which have a truly universal significance, and provides a new and compelling account of the birth of African-American identity.