Although the concept of the performative has influenced literary theory in numerous ways, this book represents one of the first full-length studies of performative language in literary texts. Creating States examines the visionary poetry of John Milton and William Blake, using a critical approach based on principles of speech-act theory as articulated by J.L. Austin, John Searle, and Emile Benveniste. Angela Esterhammer proposes a new way of understanding the relationship between these two poets, while at the same time evaluating the role of speech-act philosophy in the reading of...
Although the concept of the performative has influenced literary theory in numerous ways, this book represents one of the first full-length studies...
The writings of John Milton and William Blake were central to Northrop Frye's concept of the imaginative structure of Western literature and thought. He considered them the two most important poet-prophets in the English tradition.
This volume brings together all of Frye's writings on Milton and Blake from 1947 to 1987 - published and unpublished essays, reviews, commentaries, and public lectures - with the exception of Fearful Symmetry (published as Volume 14 of the Collected Works of Northrop Frye). During this time, Frye's engagement with Milton moved outward from the...
The writings of John Milton and William Blake were central to Northrop Frye's concept of the imaginative structure of Western literature and though...
The Romantic Performative develops a new context and methodology for reading Romantic literature by exploring philosophies of language from the period 1785-1835. It reveals that the concept of the performative, debated by twentieth-century theorists from J. L. Austin to Judith Butler, has a much greater relevance for Romantic literature than has been realized, since Romantic philosophy of language was dominated by the idea that something happens when words are spoken. By presenting Romantic philosophy as a theory of the performative, and Romantic literature in terms of that...
The Romantic Performative develops a new context and methodology for reading Romantic literature by exploring philosophies of language from the...
During the Romantic era, especially in Italy, performers known as improvvisatori and improvvisatrici extemporised poetry in public in response to subjects requested by their audiences. This type of performance fascinated Grand Tourists from northern Europe, who reported on poetic improvisers in hundreds of travel accounts, journals, letters, and periodical articles. By uncovering historical data and interpreting literary texts, Professor Esterhammer identifies patterns in the evolving responses of English, German, French, and Russian writers to the experience of improvisation. She explores...
During the Romantic era, especially in Italy, performers known as improvvisatori and improvvisatrici extemporised poetry in public in response to subj...
Although the concept of the performative has influenced literary theory in numerous ways, this book represents one of the first full-length studies of performative language in literary texts. Creating States examines the visionary poetry of John Milton and William Blake, using a critical approach based on principles of speech-act theory as articulated by J.L. Austin, John Searle, and Emile Benveniste. Angela Esterhammer proposes a new way of understanding the relationship between these two poets, while at the same time evaluating the role of speech-act philosophy in the reading of...
Although the concept of the performative has influenced literary theory in numerous ways, this book represents one of the first full-length studies...
This collection brings together current research on topics that are perennially important to Romantic studies: the life and work of Jean-Jacques Rousseau, and the landscape and history of his native Switzerland.
This collection brings together current research on topics that are perennially important to Romantic studies: the life and work of Jean-Jacques Rouss...
