This is a major study of the relation between poetry and politics from the 1688 Revolution to the early years of the nineteenth century, focusing in particular on the works of Dryden, Pope, Johnson, and Wordsworth. Building on his argument in Poetry and the Realm of Politics: Shakespeare to Dryden (also available from OUP), Erskine-Hill argues that the major tradition of political allusion is not, as has often been argued, that of political allegory and overtly political poems, but rather a more shifting and less systematic practice, often involving equivocal or multiple reference.

Pope's letters are fascinating documents, apart from his importance as a poet. Highly revealing of his remarkable character--ambitious, dangerous, trimming, ridiculous, intelligent, generous yet antagonistic--they also comprise a body of writing of extraordinary interest for an understanding of his times: its personalities, its plots, its tragedies and exiles, its loves, its scandals, the movement of its religious, political, and philosophical ideas, its sense of poetry, and its notions of poetic craft and genre. Moreover, Pope published a collection of his own letters: a selective and highly...

Robert Walpole foiled the Atterbury Plot by preventive arrests and holding those he suspected illegally without bail or trial. When Parliament met and the Habeas Corpus Act was suspended, he used show trials, decided by votes along party lines and depending on forged evidence, to curb the Tory party, to reuinted the Whig party and to consolidate his hold on power. Rich in new material, this book unravels for the first time the scale and international dimension of a plot which posed the most serious challenge to the Hanoverian regime before the '45 rebellion.

In one of the more sudden shifts of perspective, and hotly contested controversies of recent historical and literary scholarship, our view of Johnson has been fundamentally changed. This volume offers the best up-to-the-moment account of what has been achieved, and points to the new directions in which scholarship is developing. It will be essential reading for all concerned with eighteenth-century studies.

The Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary responses to a writer's work, enabling students and researchers to read for themselves, for example, comments on early performances of Shakespeare's plays, or reactions to the first publication of Jane Austen's novels. The selected sources range from important essays in the history of criticism to journalism and contemporary opinion, and documentary material such as letters and diaries. Significant pieces of criticism from later periods are also included,...

The period 1660-1780 saw major changes in the relationship between religion and ethics in English thought. In this first part of an important two-volume study, Isabel Rivers examines the rise of Anglican moral religion and the reactions against it expressed in nonconformity, dissent and methodism. Her study investigates the writings that grew out of these movements, combining a history of the ideas of individual thinkers (including both prominent figures such as Bunyan and Wesley and a range of lesser writers) with analysis of their characteristic terminology, techniques of persuasion,...

This volume completes Isabel Rivers' widely-acclaimed exploration of the relationship between religion and ethics from the mid-seventeenth to the later eighteenth centuries. She investigates what happened when attempts were made to separate ethics from religion, and to locate the foundation of morals in the constitution of human nature. Her book pays close attention to the movement of ideas through the British Isles, and demonstrates the enormous influence of Shaftesbury's moral thought. Meticulously researched and accessibly written, this study makes a vital contribution to our understanding...

This book discusses the intersection between philosophy and literature during the British Enlightenment. Its primary focus is the work of moral philosophers during the first half of the eighteenth century, but its larger interest is in understanding how the writing of philosophical fictions relates to the rise of the novel, and the emergence of philosophical aesthetics. Novelists such as Fielding, Sterne, Johnson and Austen are placed in a philosophical context, and philosophers of the empiricist tradition in the context of English literary history.

Carol Flynn's challenging approach reviews the cost of being human, the 'expense' of material as opposed to spiritual life in eighteenth-century society, as it is revealed in its literature.

This highly original study of the "manic style" in enthusiastic writing of the seventeenth and eighteenth centuries identifies a line of influence running from the radical visionary and prophetic writing of the Ranters and their fellows enthusiasts to the work of Jonathan Swift and Christopher Smart. Its account of the dominant culture's ridicule of enthusiastic writing (an attitude that persists in twentieth-century literary history and criticism) provides a powerful and daring critique of pervasive assumptions about madness and sanity in literature.