A sometimes well-intentioned ghost gnome tags along for laughs, but his selfish machinations often mean more trouble for Maynerd. Other friends join the fun, such as the lovable fire-year-old orphan, Dandy May, who cavorts with dandelion fairies; the head-bashing ogress, Grissel who hates songs...

A sometimes well-intentioned ghost gnome tags along for laughs, but his selfish machinations often mean more trouble for Maynerd. Other friends join the fun, such as the lovable fire-year-old orphan, Dandy May, who cavorts with dandelion fairies; the head-bashing ogress, Grissel who hates songs...

In The Motion of the Heart and Blood (1653), William Harvey had set forth the scientific model of a phallic, generative organ pumping blood through a feminized body; in Paradise Lost, it is through the protracted rape and violation of Eve's heart that the Fall of Man occurs; nearly a century later Samuel Richardson's Clarissa would present a no less forceful but far more feminist and heroic narrative of the heart's power. Examining these other--and mostly English-literary, medical, religious, and philosophical texts, Erickson uncovers two ruling clusters of metaphors: one...