Where were the women of the so-called Auden Generation'?During this era of rapidly changing gender roles, social values and world politics, women produced a rich variety of poetry.But until now their work has largely been lost or ignored;in Women's Poetry of the 1930s Jane Dowson finally redresses the balance and recovers women's place in the literary history of the interwar years.This comprehensive and beautifully edited collection includes:
*Previously uncollected poems by authors such as Winifred Holtby and Naomi Mitchison
*Poems which are now out of print, such as those by Vita...

Where were the women of the so-called Auden Generation'?During this era of rapidly changing gender roles, social values and world politics, women produced a rich variety of poetry.But until now their work has largely been lost or ignored;in Women's Poetry of the 1930s Jane Dowson finally redresses the balance and recovers women's place in the literary history of the interwar years.This comprehensive and beautifully edited collection includes:
*Previously uncollected poems by authors such as Winifred Holtby and Naomi Mitchison
*Poems which are now out of print, such as those by Vita...

Divided into three sections (1900-1945; 1945-1980; 1980-2000), this survey documents the publications, activities and achievements of an undervalued literary community. An overview of each period explores the particular challenges and opportunities for women. The chapters that follow discuss the major poets, as individuals or in groups connected by their context and practice. These essays reflect and stimulate continuing debates about the nature of women's poetry and comprise an invaluable resource for scholars, students and interested readers.

Women's fiction, poetry, drama and nonfiction represent the complex nexus of continuity and change in the British consciousness following the Second World War. These essays restore the cultural and literary significance of women as readers and writers, examining their various transmutations of international, national and domestic politics. The women-centered writing illuminated in this collection also enhances the tradition-in-process of twentieth-century women's literature. Writers discussed include Iris Murdoch, Doris Lessing, Muriel Spark, Agatha Christie and Stevie Smith.

This Companion provides new ways of reading a wide range of influential women's poetry. Leading international scholars offer insights on a century of writers, drawing out the special function of poetry and the poets' use of language, whether it is concerned with the relationship between verbal and visual art, experimental poetics, war, landscape, history, cultural identity or 'confessional' lyrics. Collectively, the chapters cover well established and less familiar poets, from Edith Sitwell and Mina Loy, through Stevie Smith, Sylvia Plath and Elizabeth Jennings to Anne Stevenson, Eavan Boland...

This Companion provides new ways of reading a wide range of influential women's poetry. Leading international scholars offer insights on a century of writers, drawing out the special function of poetry and the poets' use of language, whether it is concerned with the relationship between verbal and visual art, experimental poetics, war, landscape, history, cultural identity or 'confessional' lyrics. Collectively, the chapters cover well established and less familiar poets, from Edith Sitwell and Mina Loy, through Stevie Smith, Sylvia Plath and Elizabeth Jennings to Anne Stevenson, Eavan Boland...

Women's fiction, poetry, drama and non-fiction represent the complex nexus of continuity and change in the British consciousness following the Second World War. These essays restore the cultural and literary significance of women as readers and writers, examining their various transmutations of international, national and domestic politics.

This volume evaluates British womens' poetry by identifying how their work registered and influenced the cultural shifts between the years 1910-1939. Special emphasis is put upon their participation in modernist innovation and the simultaneous internalization and rejection of the feminine ideal.