A tale of temptation, betrayal, and reprisal, this powerful novel is set in the aftermath of the Irish Civil War. It tells of Gypo Nolan, who informs on a wanted comrade. The source of the Academy Award-winning film directed by John Ford. Preface by Denis Donoghue.
A tale of temptation, betrayal, and reprisal, this powerful novel is set in the aftermath of the Irish Civil War. It tells of Gypo Nolan, who informs ...
W. B. Yeats's poem "Adam's Curse" provides Donoghue with motif and incentive. In Genesis God says to Adam: "Because thou hast harkened unto the voice of thy wife, and hast eaten of the tree, of which I commanded thee, saying, Thou shalt not eat of it: cursed is the ground for thy sake; in sorrow shalt thou eat of it all the days of thy life." Yeats put it this way: "It is certain there is no fine thing / Since Adam's curse but needs much labouring." Based on a conversation he had with his beloved Maud Gonne and her sister Kathleen, Yeats's poem thinks about how difficult it is to be...
W. B. Yeats's poem "Adam's Curse" provides Donoghue with motif and incentive. In Genesis God says to Adam: "Because thou hast harkened unto the voice ...
This lucid and elegantly written book is a sustained conversation about the nature and importance of literary interpretation. Distinguished critic Denis Donoghue argues that we must read texts closely and imaginatively, as opposed to merely or mistakenly theorizing about them. He shows what serious reading entails by discussing texts that range from Shakespeare's plays to a novel by Cormac McCarthy. Donoghue begins with a personal chapter about his own early experiences reading literature while he was living and teaching in Ireland. He then deals with issues of theory, focusing on the...
This lucid and elegantly written book is a sustained conversation about the nature and importance of literary interpretation. Distinguished critic Den...
When Denis Donoghue left Warrenpoint and went to Dublin in September 1946, he entered University College as a student of Latin and English. A few months later he also started as a student of lieder at the Royal Irish Academy of Music. These studies have informed his reading of English, Irish, and American literature. Now in this volume, one of our most distinguished readers of modern literature offers his most personal book of literary criticism. Donoghue's Words Alone isan intellectual memoir, a lucid and illuminating account of his engagement with the works of T. S....
When Denis Donoghue left Warrenpoint and went to Dublin in September 1946, he entered University College as a student of Latin and English. A few mont...
A foremost critic of the English language here reflects on beauty and the language that it inspires in authors from Kant to Keats, Hawthorne to Housman. "An excellent and eloquent book."-James Wood, New York Times Book Review "A beautiful book about beauty. Enormously learned, allusive, recuperative, and citational, it is a passionate meditation on what has been said about beauty in the West from the Greeks to the present day."-J. Hillis Miller "Donoghue talks . . . with a delightful informality and absence of dogma. . . . One of the most charming features of Denis Donoghue's book is his...
A foremost critic of the English language here reflects on beauty and the language that it inspires in authors from Kant to Keats, Hawthorne to Housma...
How is a classic book to be defined? How much time must elapse before a work may be judged a "classic"? And among all the works of American literature, which deserve the designation? In this provocative new book Denis Donoghue essays to answer these questions. He presents his own short list of "relative" classics--works whose appeal may not be universal but which nonetheless have occupied an important place in our culture for more than a century. These books have survived the abuses of time--neglect, contempt, indifference, willful readings, excesses of praise, and hyperbole. Donoghue...
How is a classic book to be defined? How much time must elapse before a work may be judged a "classic"? And among all the works of American literat...
This volume contains nearly all the criticism that Alexander Coleman wrote for The New Criterion between 1994 and 2003. A specialist in Spanish, Portuguese, and Latin American literature, Coleman was also a superb essayist on music, and his wide erudition, as revealed in these writings, demonstrates an easy mastery of the entire modernist tradition. Diversions and Animadversions is divided into three parts. The first contains Coleman's literary essays including a lengthy piece on Eba de Quieros, the great master of Portuguese realism, and shorter pieces on the Argentinian...
This volume contains nearly all the criticism that Alexander Coleman wrote for The New Criterion between 1994 and 2003. A specialist in Sp...
Emily Dickinson - American Writers 81 was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Emily Dickinson - American Writers 81 was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavaila...
On Eloquence questions the common assumption that eloquence is merely a subset of rhetoric, a means toward a rhetorical end. Denis Donoghue, an eminent and prolific critic of the English language, holds that this assumption is erroneous. While rhetoric is the use of language to persuade people to do one thing rather than another, Donoghue maintains that eloquence is "gratuitous, ideally autonomous, in speech and writing an upsurge of creative vitality for its own sake." He offers many instances of eloquence in words, and suggests the forms our appreciation of them should take....
On Eloquence questions the common assumption that eloquence is merely a subset of rhetoric, a means toward a rhetorical end. Denis Donoghue, an...
