Talvikki Ansel's My Shining Archipelago is the winner of the 1996 Yale Series of Younger Poets competition. Her book gives us a front-row seat in a true Amazon theater where, says James Dickey in his foreword, --Ansel finds her way of bringing into language the hellish magnificence, the perverse pluralism-more, always more, in the Amazon basin.-- This cycle of --freewheeling sonnets-- (Part II of the book) is cradled between sections of ambitious lyrics that recall Dutch still lifes in their intense scrutiny of pears, eels, gutted birds, to get at their essence. The book closes with a second...

James Dickey's creativity as a poet is well known. But there have been few opportunities for his readers to become familiar with the full dimensions of his mind, with the thoughts and perceptions that lie just outside the matter of his poetry.

"Sorties" brings together the contents of a journal kept by Dickey for several years and six discerning essays on poetry and the creative process. The journal follows Dickey's mind as it alights on a wide array of topics, ranging from the work of his colleagues to the plotting of a new novel, from the onset of old age to pride over accomplishments in...

This volume represents, under one cover, the major work of the man whom critics and readers have designated the authentic poet of his American generation. For this collection, James Dickey has selected from his four published books all those poems that reflect his truest interests and his growth as an artist. He has added more than a score of new poems - in effect, a new book in themselves - that have not previously been published in volume form.

Specifically, Poems 1957-1967 contains 15 of the 24 poems that were included in his first book, Into the Stone (1960); 25 of the 36 that made up...

Nicholas Samaras's Hands of the Saddlemaker, the winning volume in the 1991 Yale Series of Younger Poets competition, was selected from among 710 entries in this annual competition. The broad theme of Samaras's poems is the connection between eternal things and the passing world, between our sense of exile and our sense of commonality. Equilibrium between these worlds is achieved only through human feeling, through language. Samaras examines the commonality of experience in diverse international settings--from Byzantium to the cathedrals of technology in the modern cities of America....