" Dark Victory," released in 1939, was a daring movie for its time. it depicted its heroine, Bette Davis, dying of a brain tumor. The film blended romance and realism so successfully that it is still a model for movies about death and dying today. Bette Davis drew upon every mood she had ever expressed--insouciance, impatience, anger, passion, acquiescence. She worked hard at the role, reveling in a story that, according to her account, she had actively campaigned for. She also benefited greatly by the professional talents of director Edmund Goulding and screenwriter Casey Robinson and...
" Dark Victory," released in 1939, was a daring movie for its time. it depicted its heroine, Bette Davis, dying of a brain tumor. The film blended ...
Hal Wallis might not be as well known as David O. Selznick or Samuel Goldwyn, but the films he produced -- Casablanca, Jezebel, Now Voyager, The Life of Emile Zola, Becket, True Grit, and many other classics (as well as scores of Elvis movies) -- have certainly endured. As producer of numerous films, Wallis made an indelible mark on the course of America's film industry, but his contributions are often overlooked and no full-length study has yet assessed his incredible career.
A former office boy and salesman, Wallis first engaged with the business of film as the manager of a...
Hal Wallis might not be as well known as David O. Selznick or Samuel Goldwyn, but the films he produced -- Casablanca, Jezebel, Now Voyager, The...
Anatomy of Film provides a solid foundation of film fundamentals while offering rich examples from the past and present. Designed to be used in film-as-literature or introduction to film courses in English, film, or communication departments, Anatomy of Film covers all of the essential elements of film -- from genre, lighting, and editing to music, sound, and narration -- and its student-friendly approach makes it ideal for those new to the discipline. Along with a strong focus on genre, this text also features a chapter devoted to the connection between film and literature....
Anatomy of Film provides a solid foundation of film fundamentals while offering rich examples from the past and present. Designed to be used in...
Ben Hecht called him "White Fang," and director Charles Vidor took him to court for verbal abuse. The image of Harry Cohn as vulgarian is such a part of Hollywood lore that it is hard to believe there were other Harry Cohns: the only studio president who was also head of production; the ex-song plugger who scrutinized scripts and grilled writers at story conferences; a man who could look at actresses as either "broads" or goddesses. Drawing on personal interviews as well as previously unstudied source material (conference notes, memos, and especially the teletypes between Harry and his...
Ben Hecht called him "White Fang," and director Charles Vidor took him to court for verbal abuse. The image of Harry Cohn as vulgarian is such a pa...
On October 30, 1947, the House Committee on Un-American Activities concluded the first round of hearings on the allege Communist infiltration of the motion picture industry. Hollywood was ordered to "clean its own house," and ten witnesses who had refused to answer questions about their membership in the Screen Writers Guild and the Communist party eventually received contempt citations. By 1950 the Hollywood Ten, as they quickly became known, were serving prison sentences ranging from six months to a year. Since that time the group, which included writers, directors, and a producer, have...
On October 30, 1947, the House Committee on Un-American Activities concluded the first round of hearings on the allege Communist infiltration of th...
The Screen Is Red portrays Hollywood's ambivalence toward the former Soviet Union before, during, and after the Cold War. In the 1930s, communism combated its alter ego, fascism, yet both threatened to undermine the capitalist system, the movie industry's foundational core value. Hollywood portrayed fascism as the greater threat and communism as an aberration embraced by young idealists unaware of its dark side. In Ninotchka, all a female commissar needs is a trip to Paris to convert her to capitalism and the luxuries it can offer.
The scenario changed when Nazi Germany...
The Screen Is Red portrays Hollywood's ambivalence toward the former Soviet Union before, during, and after the Cold War. In the 1930s, comm...
Traces the development of the MGM musical from The Broadway Melody (1929) through its heyday in the 1940s and 1950s and its decline in the 1960s. That Was Entertainment uniquely reconstructs the life of Arthur Freed, whose unit at MGM became the gold standard against which the musicals of other studios were measured.
Traces the development of the MGM musical from The Broadway Melody (1929) through its heyday in the 1940s and 1950s and its decline in the 1960s. That...