This collection of specially commissioned essays offers the latest research on a broad array of nineteenth-century performance genres, lucidly written, by leading scholars in the field. It will be of interest to students of historiography, theatre history, British popular culture, and leisure studies.
This collection of specially commissioned essays offers the latest research on a broad array of nineteenth-century performance genres, lucidly written...
A biographically based study of George Bernard Shaw and his milieu, this book offers a non-laudatory reading of Shaw's economic practices and theories, augments feminist and postcolonial critiques that preoccupy the study of literary history in the 1990s, and provides a long overdue revisionist reading of Shaw for an undergraduate readership. It traces the theatrical and political influences on Shaw from his earliest days in London; tracks his interest in socialism as an activist and author of tracts, novels, and plays emphasizing certain polemical traits; and follows his career as a major...
A biographically based study of George Bernard Shaw and his milieu, this book offers a non-laudatory reading of Shaw's economic practices and theor...
In Victorian society performers were drawn from various class backgrounds, and enjoyed a unique degree of social mobility. Nevertheless, the living and working conditions of female performers were very different from those of their male colleagues. Their segregation and concentration in low-status jobs, like dancing, guaranteed economic insecurity. Actresses' attempts to reconcile sexuality and the female life cycle to a physically demanding, itinerant occupation while under constant public scrutiny led to assumptions about their morality - assumptions that were constantly reinforced by...
In Victorian society performers were drawn from various class backgrounds, and enjoyed a unique degree of social mobility. Nevertheless, the living an...
British theater became big business in the nineteenth century, and the role of laissez-faire in this cultural industry consistently troubled the government. This is the first full-length study to investigate the theater's growth from an economic perspective, reflecting the debates of theorists from Adam Smith to Alfred Marshall. Tracy Davis' wide-ranging analysis grounds issues such as subsidization and the economic viability of the live arts in an era predating government funding, offering fresh insight into the history of cultural policy for the arts in Britain.
British theater became big business in the nineteenth century, and the role of laissez-faire in this cultural industry consistently troubled the gover...
British theater became big business in the nineteenth century, and the role of laissez-faire in this cultural industry consistently troubled the government. This is the first full-length study to investigate the theater's growth from an economic perspective, reflecting the debates of theorists from Adam Smith to Alfred Marshall. Tracy Davis' wide-ranging analysis grounds issues such as subsidization and the economic viability of the live arts in an era predating government funding, offering fresh insight into the history of cultural policy for the arts in Britain.
British theater became big business in the nineteenth century, and the role of laissez-faire in this cultural industry consistently troubled the gover...
Ric Knowles develops and demonstrates a method of theatrical performance analysis involving the entire theater experience, from production to reception. Five case studies provide a first-step introduction to key terms and areas of performance theory. They include the cultural work performed by a major Shakespearean repertory theater, a small nationalist theater devoted to new play development, a major New York-based avant-garde touring theater company, and a British socialist company dedicated to the work of Shakespeare, as well as a range of international festivals.
Ric Knowles develops and demonstrates a method of theatrical performance analysis involving the entire theater experience, from production to receptio...
Ric Knowles develops and demonstrates a method of theatrical performance analysis involving the entire theater experience, from production to reception. Five case studies provide a first-step introduction to key terms and areas of performance theory. They include the cultural work performed by a major Shakespearean repertory theater, a small nationalist theater devoted to new play development, a major New York-based avant-garde touring theater company, and a British socialist company dedicated to the work of Shakespeare, as well as a range of international festivals.
Ric Knowles develops and demonstrates a method of theatrical performance analysis involving the entire theater experience, from production to receptio...
Contemporary academic discourse is filled with the word "perform." Nestled among a variety of prefixes and suffixes (re-, post-, -ance, -ivity?), the term functions as a vehicle for a host of inquiries. This development is intriguing and complex for students, artists, and scholars of performance and theater. By examining the history of theater studies and related institutions and comparing the very different disciplinary interpretations and developments that led to this engagement, this study offers ways of placing performance theory and performance studies in context.
Contemporary academic discourse is filled with the word "perform." Nestled among a variety of prefixes and suffixes (re-, post-, -ance, -ivity?), the ...
This collection of essays, written by a team of leading scholars in the field, undertakes not simply to recover the names and careers of women playwrights but to call into question the whole idea of what a playwright is, what she does, and why it matters. Gender inquiry is the start: destabilizing the category of playwrights loosens the borders of theater history making it possible to reconceptualize theater and drama not as a product of culture but as social processes dynamically interacting with culture.
This collection of essays, written by a team of leading scholars in the field, undertakes not simply to recover the names and careers of women playwri...
Theater history has often been interpreted in ways which highlight and omit key elements. Jacky Bratton explores this dilemma by examining how theater history has been chronicled and interpreted. Analyzing case studies from nineteenth-century British theater, Bratton reveals the difference between the existence of "the drama" (plays and play literature) and "the stage" (performance, theater building, and attendance).
Theater history has often been interpreted in ways which highlight and omit key elements. Jacky Bratton explores this dilemma by examining how theater...
