John Ford remains the most honored director in Hollywood history, having won six Academy Awards and four New York Film Critics Awards. Drawing upon extensive written and oral history, Ronald L. David explores Ford s career from his silent classic, The Iron Horse, through the transition to sound, and then into the pioneer years of location filming, the golden years of Hollywood, and the movement toward television. During his career, Ford made such classics as Stagecoach, The Grapes of Wrath, How Green Was My Valley, and The Searchers-136 pictures in all, 54 of them Westerns. The complexity...

Almost two decades after his death, John Wayne is still America's favorite movie star. More than an actor, Wayne is a cultural icon whose stature seems to grow with the passage of time. In this illuminating biography, Ronald L. Davis focuses on Wayne's human side, portraying a complex personality defined by frailty and insecurity as well as by courage and strength.

Davis traces Wayne's story from its beginnings in Winterset, Iowa, to his death in 1979. This is not a story of instant fame: only after a decade in budget westerns did Wayne receive serious consideration, for his...

At fifteen, Linda Darnell left her Texas home and normal adolescence to live the Hollywood dream promoted by fan magazine and studio publicity offices. She appeared in dozens of films and won international acclaim for Blood and Sand (playing opposite Tyrone Power), Forever Amber, A Letter to Three Wives, and the original version of Unfaithfully Yours.

Driven by a stage mother to become rich and Famous, but unable to cope with the career she had longed for as a child, Darnell soon was caught in a downward spiral of drinking, failed marriages, and...

From the late 1930s to the mid-1950s, five big movie studios-Paramount, Warner Bros., Twentieth Century-Fox, Metro-Goldwyn-Mayer (MGM), and RKO-dominated Hollywood's film industry. This "big studio system" operated primarily as a series of assembly-line production factories. Ideally, each churned out fifty-two movies a year, enough to supply showcase theaters across the country with a new lineup each week-with profit being the overriding goal.

Of this era, veteran screenwriter Julius Epstein (Casablanca) said: "It was not called the motion picture industry for nothing. It] was...