Originally published in 1966. This title available in eBook format. Click here for more information. Visit our eBookstore at: www.ebookstore.tandf.co.uk.
Originally published in 1966. This title available in eBook format. Click here for more information. Visit our eBookstore at: www.ebookstore.ta...
This volume prints the full Latin text of the six large and well-preserved rolls of the Common Bench of Henry III for its sittings at Westminster in Michaelmas term 1249 and Hilary and Easter terms 1250. These were the first sittings of the court after the eyre circuits held between 1247 and 1249. Three of the rolls were made for the great justice Roger of Thirkleby. Also included are the cases found in the recently-identified fragments of the single surviving roll created in the Court Coram Rege, or King's Bench, during that period, for Michaelmas term 1249. The introduction records the...
This volume prints the full Latin text of the six large and well-preserved rolls of the Common Bench of Henry III for its sittings at Westminster in M...
After the Mass Ordinary, the Magnificat was the liturgical text most frequently set by Renaissance composers, and Orlando di Lasso's 101 polyphonic settings form the largest and most varied repertory of Magnificats in the history of European music. In the first detailed investigation of this repertory, David Crook focuses on the forty parody or imitation Magnificats, which Lasso based on motets, madrigals, and chansons written by such composers as Josquin and Rore. By examining these Magnificats in their social, historical, and liturgical contexts and in terms of composition theory, Crook...
After the Mass Ordinary, the Magnificat was the liturgical text most frequently set by Renaissance composers, and Orlando di Lasso's 101 polyphonic...