With the rise of Abstract Expressionism, New York City became the acknowledged center of the avant-garde. Diana Crane documents the transformation of the New York art world between 1940 and 1985, both in the artistic styles that emerged during this period and the expansion of the number and types of institutions that purchased and displayed various works.
Crane's account is built around discussions of seven styles: Abstract Expressionism in the forties; Pop art and Minimalism in the sixties; Figurative painting, Photorealism, and Pattern painting in the early seventies; and...

It has long been said that clothes make the man (or woman), but is it still true today? If so, how has the information clothes convey changed over the years? Using a wide range of historical and contemporary materials, Diana Crane demonstrates how the social significance of clothing has been transformed.

Crane compares nineteenth-century societies--France and the United States--where social class was the most salient aspect of social identity signified in clothing with late twentieth-century America, where lifestyle, gender, sexual orientation, age, and ethnicity are more meaningful to...

Culture no longer has borders. With the advent of internet sites like Sothebys.com and the increasing reality of globalization, culture itself has gone global. This collection focuses on questions involving national identity, indigenous culture, economic growth, free trade, cultural policy, and global tourism. Global Culture looks at all aspects of the "arts" including: film, art, music, theater, television, and museums. Global Culture fleshes out how current cultural policies are working and forecasts what we can expect the future landscape of global culture to look like.

The phrase production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject.

She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of production' changes depending on the size of the audience and the structure of the particular cultural industry.

For years, speculation has been mounting among lawyers, church leaders, social scientists, and the general public over the question of prolongation of life and the critically ill patient's "right to die." But what is the physician's attitude toward this controversial subject? Under what conditions does a doctor battle to save the life of the patient, and when does he decide to withdraw medical treatment and allow death to occur? The answers to these questions form the basis for a fascinating reexamination of the nature of death and dying, as seen from the physician's point of view.