Semiotic theory, which has restricted its focus largely to human forms of significations, is transformed by Robert S. Corrington into a semiotics of nature itself. Corrington situates the divide between "nature naturing" and "nature natured" within the contest of classical American pragmaticism and postmodern psychoanalysis. At the heart of this new metaphysics is an insistence that all signs participate in larger orders of meaning that are natural and religious. Meanings embodied in nature point beyond nature to the mystery inherent in positioned codes and signs.

In this moving account of his struggles with manic-depressive disorder, distinguished philosopher Robert S. Corrington, creator of the school of ecstatic naturalism, presents a compelling argument for rethinking the nature of this malady. Having inherited the disorder from his mother, a gifted actress who struggled with her own form of it until her death, he developed crucial survival strategies that he recommends to other sufferers. In Riding the Windhorse, Corrington details the latest medical, psychological, and spiritual thinking about bipolar disease; a disorder characterized by extreme...

In Nature's Religion, distinguished theologian and philosopher Robert S. Corrington weaves together the concept of infinite semiosis with that of the transference to show that the self does have access to something in nature that is intrinsically religious.

This analysis of the thought of American philosopher Charles S. Peirce combines an overview of the important features and themes of his philosophy with original insights into his thought. By stressing the correlation of semiotics and metaphysics and by showing the underlying principles of an implied ecstatic naturalism, Corrington engages in an act of emancipatory reenactment in which Peirce is allowed to speak with a new voice.

The concern of this work is with developing an alternative to standard categories in theology and philosophy, especially in terms of how they deal with nature. Avoiding the polemics of much contemporary reflection on nature, it shows how we are connected to nature through the unconscious and its unique way of reading and processing signs. Suggestions are made for a post-Christian way of understanding religion. Finally, our connection with the infinite is described in detail, especially as it relates to the use of sign systems.

The concern of this work is with developing an alternative to standard categories in theology and philosophy, especially in terms of how they deal with nature. Avoiding the polemics of much contemporary reflection on nature, it shows how we are connected to nature through the unconscious and its unique way of reading and processing signs. Suggestions are made for a post-Christian way of understanding religion. Finally, our connection with the infinite is described in detail, especially as it relates to the use of sign systems.

Finding Grace with God: A Phenomenological Reading of the Annunciation engages in an interweaving of phenomenology, mystical theology, and feminist philosophy to unfold a theopoetic interpretation of the narrative of the Annunciation in the Gospel of Luke. It begins with a discussion of the foundational phenomenologies of Edmund Husserl and Martin Heidegger and then moves to the more recent work of several French phenomenologists, including Paul Ricoeur, Jean-Louis Chretien, and Michel Henry. The interpretation is then expanded through the philosophies of Luce Irigaray, Jean-Luc Marion, and...

Nature's Sublime uses a radical new form of phenomenology to probe into the deepest traits of the human process in its individual, social, religious, and aesthetic dimensions. Starting with the selving process the essay describes the role of signs and symbols in intra and interpersonal communication. At the heart of the human use of signs is a creative tension between religions symbols and the novel symbols created in the various arts. A contrast is made between natural communities, which flatten out and reject novel forms of semiosis, and communities of interpretation, which welcomes...

This book is a study in a new form of religious naturalism called "Deep Pantheism," which has roots in American Transcendentalism, but also in phenomenology and Asian thought. It argues that the great divide within nature is that between nature naturing and nature natured, the former term defined as "Nature creating itself out of itself alone," while the latter term defined as "The innumerable orders of the World." Explorations are made of the connections among the unconscious of nature, the archetypes, and the various layers of the human psyche. The Selving process is analyzed using the work...

The book transcends and transforms current work in the field of religious naturalism, gives pantheism new life over against the more fashionable panentheism, radicalizes and deepens the thought and practice of psychoanalysis with its creation of ordinal psychoanalysis, and creates a whole new way of doing phenomenology called ordinal phenomenology.