John Conteh-Morgan Tejumola Olaniyan Patrick McNaughton
African Drama and Performance is a collection of innovative and wide-ranging essays that bring conceptually fresh perspectives, from both renowned and emerging voices, to the study of drama, theatre, and performance in Africa. Topics range from studies of major dramatic authors and formal literary dramas to improvisational theatre and popular video films. South Africa's Truth and Reconciliation Commissions are analyzed as a kind of social performance, and aspects of African performance in the diaspora are also considered. This dynamic volume underscores theatre's role in postcolonial...
African Drama and Performance is a collection of innovative and wide-ranging essays that bring conceptually fresh perspectives, from both renowned ...
This is the first study to be entirely devoted to African literary drama in French, a major component of African theater. Beginning with a detailed analysis of its relationship to a variety of precolonial, but sometimes still contemporary, traditions of performance that constitute part of its roots, the author examines this drama in both its literary and theatrical dimensions. He discusses its development, themes and techniques up to and including contemporary theater. The book is divided into two sections: Part One offers a theoretical and historical background; Part Two analyzes key...
This is the first study to be entirely devoted to African literary drama in French, a major component of African theater. Beginning with a detailed an...
This study is devoted to African literary drama in French, a major component of African theatre. Beginning with a detailed analysis of its relationship to a variety of pre-colonial, but sometimes still contemporary, traditions of performance which constitute part of its roots, Conteh-Morgan examines this drama both in its literary and theatrical dimensions. He discusses its development, themes and techniques, and considers its attempts, since the 1980s, to move away from the predominantly text-based drama of first-generation playwrights to a more performance-oriented one.
This study is devoted to African literary drama in French, a major component of African theatre. Beginning with a detailed analysis of its relationshi...
Paulin J. Hountondji John Conteh-Morgan Kwame Anthony Appiah
"The Struggle for Meaning" is a landmark publication by one of African philosophy's leading figures, Paulin J. Hountondji, best known for his critique of ethnophilosophy in the late 1960s and early 1970s. In this volume, he responds with autobiographical and philosophical reflection to the dialogue and controversy he has provoked. He discusses the ideas, rooted in the work of such thinkers as Husserl and Hountondji's former teachers Derrida, Althusser, and Ricoeur, that helped shape his critique. Applying his philosophical ideas to the critical issues of democracy, culture, and...
"The Struggle for Meaning" is a landmark publication by one of African philosophy's leading figures, Paulin J. Hountondji, best known for his criti...
John Conteh-Morgan explores the multiple ways in which African and Caribbean theatres have combined aesthetic, ceremonial, experimental, and avant-garde practices in order to achieve sharp critiques of the nationalist and postnationalist state and to elucidate the concerns of the francophone world. More recent changes have introduced a transnational dimension, replacing concerns with national and ethnic solidarity in favor of irony and self-reflexivity. New Francophone African and Caribbean Theatres places these theatres at the heart of contemporary debates on global cultural and political...
John Conteh-Morgan explores the multiple ways in which African and Caribbean theatres have combined aesthetic, ceremonial, experimental, and avant-...
John Conteh-Morgan explores the multiple ways in which African and Caribbean theatres have combined aesthetic, ceremonial, experimental, and avant-garde practices in order to achieve sharp critiques of the nationalist and postnationalist state and to elucidate the concerns of the francophone world. More recent changes have introduced a transnational dimension, replacing concerns with national and ethnic solidarity in favor of irony and self-reflexivity. New Francophone African and Caribbean Theatres places these theatres at the heart of contemporary debates on global cultural and political...
John Conteh-Morgan explores the multiple ways in which African and Caribbean theatres have combined aesthetic, ceremonial, experimental, and avant-...
"The Original Explosion That Created Worlds" is the first book entirely devoted to the Cameroonian Werewere Liking, one of the most important writers and innovative artists of post-colonial Africa. The book includes a wide-ranging collection of essays by some of Liking's finest critics addressing her life and work, from her earlier fiction and social criticism to her later experimental drama, which has been produced on stages around the world. Several essays also look at Liking's culture-based entrepreneurial work, in which she has attempted to establish a new economic support for African...
"The Original Explosion That Created Worlds" is the first book entirely devoted to the Cameroonian Werewere Liking, one of the most important writers ...
