THE STORY BEGUN BY WALTER HARTRIGHT (of Clement's Inn, Teacher of Drawing) This is the story of what a Woman's patience can endure, and what a Man's resolution can achieve. If the machinery of the Law could be depended on to fathom every case of suspicion, and to conduct every process of inquiry, with moderate assistance only from the lubricating influences of oil of gold, the events which fill these pages might have claimed their share of the public attention in a Court of Justice. But the Law is still, in certain inevitable cases, the pre-engaged servant of the long purse; and the story is...

"Shall I tell you what a lady is? A lady is a woman who wears a silk gown, and has a sense of her own importance."
Wilkie Collins's investigation of illegitimacy and 'the woman question' inNo Name(1862) compels with a wholly different order of suspense from that ofThe Woman in WhiteorThe Moonstone. For its family secret - the Vanstone daughters' illegitimacy, their consequent disinheritance and fall from social grace - is revealed early on, and as Magdalen Vanstone struggles to reclaim her identity, the plot uncovers many a moral, social and legal skeleton in...

"When you looked down into the stone, you looked into a yellow deep that drew your eyes into it so that they saw nothing else."

The Moonstone, a yellow diamond looted from an Indian temple and believed to bring bad luck to its owner, is bequeathed to Rachel Verinder on her eighteenth birthday. That very night the priceless stone is stolen again and when Sergeant Cuff is brought in to investigate the crime, he soon realizes that no one in Rachel's household is above suspicion. Hailed by T. S. Eliot as "the first, the longest, and the best of modern English detective novels," The...

When the elderly Allan Armadale makes a terrible confession on his death-bed, he has little idea of the repercussions to come, for the secret he reveals involves the mysterious Lydia Gwilt: flame-haired temptress, bigamist, laudanum addict and husband-poisoner. Her malicious intrigues fuel the plot of this gripping melodrama: a tale of confused identities, inherited curses, romantic rivalries, espionage, money--and murder. The character of Lydia Gwilt horrified contemporary critics, with one reviewer describing her as -One of the most hardened female villains whose devices and desires have...

Despite the grave misgivings of both their families, Valeria Brinton and Eustace Woodville are married. But before long the new bride begins to suspect a dark secret in her husband's past and when she discovers that he has been living under a false name, she determines to find out why he is concealing his true identity from her. Soon she must endure an even greater shock: the revelation that her husband has been on trial for poisoning his first wife. Convinced of his innocence, Valeria is prepared to do anything to clear her husband's name, and in so doing upturns the conventions of polite...

The Woman in White famously opens with Walter Hartright's eerie encounter on a moonlit London road. Engaged as a drawing master to the beautiful Laura Fairlie, Walter is drawn into the sinister intrigues of Sir Percival Glyde and his "charming" friend Count Fosco, who has a taste for white mice, vanilla bonbons and poison.
Pursuing questions of identity and insanity along the paths and corridors of English country houses and the madhouse, The Woman in White is the first and most influential of the Victorian genre that combined Gothic horror with psychological realism....

Wilkie Collins is the only leading Victorian novelist whose letters have not been published. This two-volume edition will thus fill a gaping hole in any assessment of one of the nineteenth century's most loved novelists. It is also extremely timely. Two recent biographies have re-assessed his private life and his literary achievements. His best known novels, The Woman in White and The Moonstone, continue to feature on television, and most of his thirty-odd novels are in print. This authorized edition covers more than 2,000 of Collins' letters.

Wilkie Collins is the only leading Victorian novelist whose letters have not been published. This two-volume edition, edited by William Baker and William Clarke, fills a gaping hole in any assessment of one of the nineteenth century's most loved novelists. It is also extremely timely. Two recent biographies have re-assessed his private life and his literary achievements. His best-known novels, The Women in White and The Moonstone, continue to feature on television, and most of his thirty-odd novels are still in print. This authorised edition reproduces his selection of around 700 key letters...

THE STORMING OF SERINGAPATAM (1799) Extracted from a Family Paper I address these lines-written in India-to my relatives in England. My object is to explain the motive which has induced me to refuse the right hand of friendship to my cousin, John Herncastle. The reserve which I have hitherto maintained in this matter has been misinterpreted by members of my family whose good opinion I cannot consent to forfeit. I request them to suspend their decision until they have read my narrative. And I declare, on my word of honour, that what I am now about to write is, strictly and literally, the...

Assembled from the works of the finest masters of the genre, these compelling narratives promise to raise gooseflesh and accelerate pulses with their supernatural scenarios.
Featured stories include J. S. LeFanu's "An Account of Some Strange Disturbances in Aungier Street," with a mysterious old mansion as the focal point; Mary E. Wilkins' "The Lost Ghost," in which a strange child's disturbing presence instills fear and foreboding in all those she encounters; Robert Louis Stevenson's "The Body-Snatchers"; "Mrs. Zant and the Ghost," by Wilkie Collins; and other gripping works by Charles...