This interdisciplinary collection of essays on the social and cultural life of late imperial Russia describes the struggle of new elites to take up a "middle position" in society--between tsar and people. During this period autonomous social and cultural institutions, pluralistic political life, and a dynamic economy all seemed to be emerging: Russia was experiencing a sense of social possibility akin to that which Gorbachev wishes to reanimate in the Soviet Union. But then, as now, diversity had as its price the potential for political disorder and social dissolution. Analyzing the...
This interdisciplinary collection of essays on the social and cultural life of late imperial Russia describes the struggle of new elites to take up...
If Dostoevsky claimed that all Russian writers of his day "came out from Gogol's 'Overcoat, '" then Edith W. Clowes boldly expands his dramatic image to describe the emergence of Russian philosophy out from under the "overcoat" of Russian literature. In Fiction's Overcoat, Clowes responds to the view, commonly held by Western European and North American thinkers, that Russian culture has no philosophical tradition. If that is true, she asks, why do readers everywhere turn to the classics of Russian literature, at least in part because Russian writers so famously engage universal questions,...
If Dostoevsky claimed that all Russian writers of his day "came out from Gogol's 'Overcoat, '" then Edith W. Clowes boldly expands his dramatic image ...
This volume considers Boris Pasternak's Russian classic, Doctor Zhivago. It discusses the work in the context of the writer's oeuvre as well as its place within the Russian literary tradition. It also includes considerations of existing translations and of textual problems in the original Russian. The sections contain several wide-ranging articles by other scholars, primary sources and background material, including correspondence related to the work.
This volume considers Boris Pasternak's Russian classic, Doctor Zhivago. It discusses the work in the context of the writer's oeuvre as well as its pl...
Since the dissolution of the Soviet Union in 1991, Russians have confronted a major crisis of identity. Soviet ideology rested on a belief in historical progress, but the post-Soviet imagination has obsessed over territory. Indeed, geographical metaphors whether axes of north vs. south or geopolitical images of center, periphery, and border have become the signs of a different sense of self and the signposts of a new debate about Russian identity. In Russia on the Edge, Edith W. Clowes argues that refurbished geographical metaphors and imagined geographies provide a useful...
Since the dissolution of the Soviet Union in 1991, Russians have confronted a major crisis of identity. Soviet ideology rested on a belief in histo...
Since the dissolution of the Soviet Union in 1991, Russians have confronted a major crisis of identity. Soviet ideology rested on a belief in historical progress, but the post-Soviet imagination has obsessed over territory. Indeed, geographical metaphors whether axes of north vs. south or geopolitical images of center, periphery, and border have become the signs of a different sense of self and the signposts of a new debate about Russian identity. In Russia on the Edge, Edith W. Clowes argues that refurbished geographical metaphors and imagined geographies provide a useful...
Since the dissolution of the Soviet Union in 1991, Russians have confronted a major crisis of identity. Soviet ideology rested on a belief in histo...
In the three decades following Stalin's death, major underground Russian writers have subverted Soviet ideology by using parody to draw attention to its basis in utopian thought. Referring to utopian writing as diverse as Defoe's Robinson Crusoe, Dostoevsky's Notes from Underground, and Orwell's Animal Farm, they have tested notions of truth, reality, and representation. They have gone beyond their precursors by experimenting with the tensions between ludic and didactic art. Edith Clowes explores these "meta-utopian" narratives, which address a wide range of attitudes...
In the three decades following Stalin's death, major underground Russian writers have subverted Soviet ideology by using parody to draw attention t...
In the three decades following Stalin's death, major underground Russian writers have subverted Soviet ideology by using parody to draw attention to its basis in utopian thought. Referring to utopian writing as diverse as Defoe's Robinson Crusoe, Dostoevsky's Notes from Underground, and Orwell's Animal Farm, they have tested notions of truth, reality, and representation. They have gone beyond their precursors by experimenting with the tensions between ludic and didactic art. Edith Clowes explores these "meta-utopian" narratives, which address a wide range of attitudes...
In the three decades following Stalin's death, major underground Russian writers have subverted Soviet ideology by using parody to draw attention t...
This interdisciplinary volume is a new introduction to area studies in the framework of whole-world thinking. Emerging in the United States after World War II, area studies have proven indispensable to American integration in the world. They serve two main purposes: to equip future experts with rich cultural-historical and political-economic knowledge of a world area in its global context and advanced foreign language proficiency, and to provide interested readers with well-founded analyses of a vast array of the world s communities. Area Studies in the Global Age examines the...
This interdisciplinary volume is a new introduction to area studies in the framework of whole-world thinking. Emerging in the United States after Worl...
