In Modernism and Eugenics, Donald Childs reveals how Virginia Woolf, T.S. Eliot, and W.B. Yeats believed in eugenics, the science of racial improvement, and adapted this scientific discourse to the language and purposes of the modern imagination. He traces the impact of the eugenics movement on such modernist works as Mrs. Dalloway, The Waste Land, and Yeats's late poetry and early plays. This is an original study of a controversial theme which reveals the centrality of eugenics in the life and work of several major modernist writers.

In Modernism and Eugenics, Donald Childs reveals how Virginia Woolf, T.S. Eliot, and W.B. Yeats believed in eugenics, the science of racial improvement, and adapted this scientific discourse to the language and purposes of the modern imagination. He traces the impact of the eugenics movement on such modernist works as Mrs. Dalloway, The Waste Land, and Yeats's late poetry and early plays. This is an original study of a controversial theme which reveals the centrality of eugenics in the life and work of several major modernist writers.

Amid competing claims about who first developed the theories and practices that became known as New Criticism - the critical method that rose alongside Modernism - literary historians have generally given the lion's share of credit to William Empson and I.A. Richards. In The Birth of New Criticism Donald Childs challenges this consensus and provides a new and authoritative narrative of the movement's origins. At the centre stand Robert Graves and Laura Riding, two poet-critics who have been written out of the history of New Criticism. Childs brings to light the long-forgotten early criticism...