Gary Dyer breaks new ground by surveying and interpreting hundreds of satirical poems and prose narratives published in Britain during the Romantic period. These works have been neglected by literary scholars, satisfied that satire disappeared in the late eighteenth century. Dyer argues that satire continued to be a major and widely-read genre, and that contemporary political and social conflicts gave new meanings to conventions inherited from classical Rome and eighteenth-century England. He includes a bibliography of more than 700 volumes containing satirical verses.

Sonia Hofkosh explores the role of gender in early nineteenth-century British literary culture, especially in terms of the simultaneous commercialization and feminization of literature. Examining a wide range of texts, she shows how the development of a female reading audience aroused anxieties in the male writers of the period. The author also considers the ways in which three women writers (Mary Shelley, Sarah Hazlitt and Jane Austen) attempted to negotiate the minefields of a male-dominated literary discourse that rendered the female "invisible."

This innovative study examines the dialogue between British Romantic poetry and the human sciences of the period. Maureen McLane reveals how Romantic writers participated in a new-found consciousness of human beings as a species, engaging with major discourses on moral philosophy, political economy and anthropology by preeminent theorists such as Malthus, Godwin and Burke. The book provides original readings of canonical works, including Wordsworth's Lyrical Ballads, Mary Shelley's Frankenstein and Percy Shelley's Prometheus Unbound, and has much to say about the place of Romantic poetry...

Margaret Russett uses the example of Thomas De Quincey, the nineteenth-century essayist best remembered for his Confessions of an English Opium-Eater and his memoirs of Wordsworth and Coleridge, to examine the idea of the "minor" author, and how it is related to what we now call the Romantic canon. Situating De Quincey's writing in relation to the "major" poets he promoted, as well as the essays of Charles Lamb, William Hazlitt, and others, Russett shows how De Quincey helped to shape the canon by which his career was defined.

In this study, Mark Parker argues that magazines such as the London Magazine and Blackwood's Edinburgh Magazine offered an innovative and collaborative space for writers and their work--indeed, magazines became one of the preeminent literary forms of the 1820s and 1830s. Examining the dynamic relationship between literature and culture that evolved within this context, Literary Magazines and British Romanticism claims that writing in such a setting enters into a variety of alliances with other contributions and with ongoing institutional concerns that give subtle inflection to its meaning.

This book offers the first thoroughgoing literary analysis of William Cobbett as a writer. Leonora Nattrass explores the nature and effect of Cobbett's rhetorical strategies, through close examination of a broad selection of his polemical writings from his early American journalism onward. She examines the political implications of Cobbett's style within the broader context of eighteenth- and early-nineteenth-century political prose, and argues that his perceived ideological and stylistic flaws--inconsistency, bigotry, egoism and political nostalgia--are in fact strategies designed to appeal...

Romantic Vagrancy offers a provocative account of Wordsworth's representation of walking as the exercise of imagination, by tracing a recurrent analogy between the poet in search of materials and the literally dispossessed beggars and vagrants he encounters. Reading Wordsworth--and Rousseau before him--from the perspective of current debates about the political and social rights of the homeless, Celeste Langan argues that both literature and vagrancy are surprisingly rich and disturbing images of the 'negative freedom' at the heart of liberalism. Langan shows how the formal structure of the...

Reinventing Allegory asks how and why allegory has survived as a literary mode from the late Renaissance to the postmodern present. Three chapters on Romanticism, including one on the painter J.M.W. Turner, present this era as the pivotal moment in allegory's modern survival, while other chapters describe larger historical and philosophical contexts, from classical rhetoric to recent theory and metafiction. Using a series of key historical moments to define the special character of modern allegory, this study assesses allegory's role in comtemporary literary culture.

This book offers the first thoroughgoing literary analysis of William Cobbett as a writer. Leonora Nattrass explores the nature and effect of Cobbett's rhetorical strategies, through close examination of a broad selection of his polemical writings from his early American journalism onward. She examines the political implications of Cobbett's style within the broader context of eighteenth- and early-nineteenth-century political prose, and argues that his perceived ideological and stylistic flaws--inconsistency, bigotry, egoism and political nostalgia--are in fact strategies designed to appeal...

In this innovative study Alan Richardson addresses issues in literary and educational history never examined together before. He argues that transformations in schooling and literacy in Britain between 1780 and 1832 helped shape the provision of literature as we now know it. Topics include definitions of childhood, educational methods and institutions, children's literature and female education. Richardson charts how social relations were transformed through reading and education, and Romantic texts are reinterpreted in the light of historical and social issues.