This work argues that American literary scholarship enshrines a reactionary vision of history, of narrative, and of America itself. Carafiol examines the way idealist assumptions have been essential to doing American literary history and unwraps the implications of that symbiosis for current debates about the aims and methods of literary history in general. Carafiol directs his critique not only at traditional approaches to American literature but also at the most influential recent efforts by New Historicists and cultural critics to revise that tradition. Reconsidering the debate between...