The Federal Theatre Project, a 1930s relief project of the Roosevelt administration, brought more theatre to more Americans than at any time in history. This book documents this vibrant, colourful, politically explosive time, covering everything from daring dramas to musicals and puppet shows.
The Federal Theatre Project, a 1930s relief project of the Roosevelt administration, brought more theatre to more Americans than at any time in histor...
Bonnie Nelson Schwartz Robert Brustein Educational Film Center
The Federal Theatre Project, a 1930s relief project of the Roosevelt administration, brought more theatre to more Americans than at any time in history. This book documents this vibrant, colourful, politically explosive time, covering everything from daring dramas to musicals and puppet shows.
The Federal Theatre Project, a 1930s relief project of the Roosevelt administration, brought more theatre to more Americans than at any time in histor...
Winner of Five Obies, now back in print after fifteen years, a stage adaptation of classic stories by Hawthorne and Melville
In the three plays in The Old Glory--Endecott and the Red Cross; My Kinsman, Major Molineux; and Benito Cereno--the most powerful figure in postwar American poetry confronts the most haunting American fiction writers of the nineteenth century. The result is a mythical, nightmare history of three centuries in America. In Endecott and the Red Cross, Hawthorne's Puritan governor, horrified by his colony's high living, declares, "Everything in...
Winner of Five Obies, now back in print after fifteen years, a stage adaptation of classic stories by Hawthorne and Melville
The founder and director of the Yale Repertory Theater, as well as Harvard's American Repertory Theater, and a drama critic for more than thirty years, Robert Brustein is a living legend in theatrical circles. Letters to a Young Actor not only inspires the multitudes of struggling dramatists out pounding the pavement, but also reinvigorates the very state of the art of acting itself.
The founder and director of the Yale Repertory Theater, as well as Harvard's American Repertory Theater, and a drama critic for more than thirty years...
Using his extraordinary grasp of the theatre, Robert Brustein, Dean of the Yale Drama School and prize-winning critic, examines campus turmoil, radicalism versus liberalism, the fate of the free university, and the new revolutionary life style. Brustein sees American society as profoundly decadent, and those radicals from whom creative and rational alternatives should come as being increasingly dominated by sentimentality and false emotionalism. His observations are often controversial, always timely and interesting.
Using his extraordinary grasp of the theatre, Robert Brustein, Dean of the Yale Drama School and prize-winning critic, examines campus turmoil, rad...
In a new edition of this now-classic work, Robert Brustein argues that the roots of the modern theatre may be found in the soil of rebellion cultivated by eight outstanding playwrights: Ibsen, Strindberg, Chekhov, Shaw, Brecht, Pirandello, O'Neill, and Genet. Focusing on each of them in turn, Mr. Brustein considers the nature of their revolt, the methods employed in their plays, their influences on the modern drama, and the playwrights themselves. "One of the standard and decisive books on the modern theater.... It shows us the men behind the works, what they wanted to write about and the...
In a new edition of this now-classic work, Robert Brustein argues that the roots of the modern theatre may be found in the soil of rebellion cultivate...
Pirandello's masterpiece, a study in illusion and reality, follows a group of characters who try to fashion their fife stories into acceptable drama. Mr. Brustein's new rendering is accessible, contemporary, and highly speakable while retaining the flavor of the Italian original.
Pirandello's masterpiece, a study in illusion and reality, follows a group of characters who try to fashion their fife stories into acceptable drama. ...
Ibsen's last work concludes the series of autobiographical dramas begun with The Master Builder which deal with the aging rebel, despairing of life and racked with guilt, who experiences ambiguous victory at the moment of death. Plays for Performance Series.
Ibsen's last work concludes the series of autobiographical dramas begun with The Master Builder which deal with the aging rebel, despairing of life an...
This book is a masterful and engaging exploration of both Shakespeare's works and his age. Concentrating on six recurring prejudices in Shakespeare's plays--such as misogyny, elitism, distrust of effeminacy, and racism--Robert Brustein examines how Shakespeare and his contemporaries treated them. More than simply a thematic study, the book reveals a playwright constantly exploiting and exploring his own personal stances. These prejudices, Brustein finds, are not unchanging; over time they vary in intensity and treatment. Shakespeare is an artist who invariably reflects the predilections of...
This book is a masterful and engaging exploration of both Shakespeare's works and his age. Concentrating on six recurring prejudices in Shakespeare's ...