The Cambridge Film Classics series provides a forum for the revisionist studies of the classic works of the cinematic canon from the perspective of the "new auteurism, " which recognizes that films emerge from a complex interaction of bureaucratic, technological, intellectual, cultural, and personal forces. Each volume provides a general introduction to the life and work of a particular director, followed by critical essays on several of the director's most important films, and a filmography.
The Cambridge Film Classics series provides a forum for the revisionist studies of the classic works of the cinematic canon from the perspective of th...
When it appeared in 1960, the inspired fun of Francois Truffaut's Shoot the Piano Player shocked and delighted critics and audiences around the world. Its sudden shifts of tone and mood, its willful play with genre stereotypes, and its hilarious in-jokes clearly signaled that Jean-Luc Godard's equally innovative Breathless of the same year was not a fluke. The two films heralded the arrival of the so-called New Wave, sharing with other New Wave films an insistence on low-budget, location shooting and, above all, on cinema as the personal statement of an author. These films had a tremendous...
When it appeared in 1960, the inspired fun of Francois Truffaut's Shoot the Piano Player shocked and delighted critics and audiences around the world....
From the moment he captured the film world's attention with Mean Streets (1973), a portrait of life at the fringes of the Mob, it was clear that a dazzling cinematic talent had arrived on the scene. With Robert DeNiro, one of the most talented young actors from this film, Scorsese went on to make some of the greatest American films of the postwar period, including Taxi Driver (1976), Raging Bull (1980), and Goodfellas (1990). A Scorsese film seldom fails to stir controversy, for his devotion to realism has led him to forthrightly depict violence and its...
From the moment he captured the film world's attention with Mean Streets (1973), a portrait of life at the fringes of the Mob, it was clear ...
In this work, Peter Brunette analyzes the theatrical releases of Austrian film director Michael Haneke, including 'The White Ribbon', winner of the 2009 Palme d'Or at the Cannes Film Festival.
In this work, Peter Brunette analyzes the theatrical releases of Austrian film director Michael Haneke, including 'The White Ribbon', winner of the 20...
In this book, Peter Brunette analyzes the theatrical releases of Austrian film director Michael Haneke, including "The White Ribbon, " winner of the 2009 Palme d'Or at the Cannes Film Festival. Perhaps best known to U.S. audiences for "Cache, The Piano Teacher, " and his remake of his own disturbing "Funny Games, " Haneke has consistently challenged critics and film viewers to consider their own responsibility for what they watch when they seek to be "merely" entertained by such studio-produced Hollywood thrillers. Brunette highlights Haneke's brilliant use of uncompromising visual and aural...
In this book, Peter Brunette analyzes the theatrical releases of Austrian film director Michael Haneke, including "The White Ribbon, " winner of the 2...
Peter Brunette and David Wills extend the work of Jacques Derrida into a new realm--with rewarding consequences. Although Derrida has never addressed film theory directly in his writings, Brunette and Wills argue that the ideas he has developed in his critique of the logocentric foundations of Western thought, especially his notion of "Writing," can be usefully applied to film theory and analysis. They maintain that such an application might even begin to shift film from its traditional position within the visual arts to a new place in the media and information sciences. This book also...
Peter Brunette and David Wills extend the work of Jacques Derrida into a new realm--with rewarding consequences. Although Derrida has never address...
