The Last Tycoon, edited by the preeminent Fitzgerald scholar Matthew J. Bruccoli, is a restoration of the author's phrases, words, and images that were excised from the 1940 edition, giving new luster to an unfinished literary masterpiece. It is the story of the young Hollywood mogul Monroe Stahr, who was inspired by the life of boy-genius Irving Thalberg, and is an expose of the studio system in its heyday.

The Last Tycoon is now available for the first time in paperback.

These "sketches" comprise commentary that has appeared in various publications, including "Good Housekeeping, The Saturday Evening Post, The New Yorker, Collier's," and "Trotter and Pacer," throughout Lardner's illustrious career.

The introduction to this volume charts the fortunes of The Great Gatsby from its mixed reception and disappointing sales on publication in 1925, through its increasing popularity in the 1940s, to its critical and popular elevation from the standing of an important 'period piece' to that of an undisputed classic of American literature. Of the five essays that follow, one traces this revival in greater detail, and another sets the book in the context of the perennial quest for the 'great American novel'. Two other essays examine the central from the perspective of a practising contemporary...

Since its publication in 1925, The Great Gatsby, F. Scott Fitzgerald's account of the American dream gone awry, has established itself as one of the most popular and widely read novels in the English language. Until now, however, no edition has printed the novel exactly as Fitzgerald intended. The first edition was marred by errors resulting from Fitzgerald's extensive rewriting in proof and the conditions under which the book was produced; moreover, the subsequent transmission of the text introduced proliferating departures from the author's words. This critical edition draws on the...

Twice during the last decade of his life, in 1934 and 1936, F. Scott Fitzgerald proposed a collection of his personal essays to Maxwell Perkins, his editor at Charles Scribner's Sons. Perkins was unenthusiastic on both occasions, and Fitzgerald died in 1940 without having put his best essays between hard covers. Fortunately Fitzgerald left behind a table of contents, and with this list as a guide it has been possible to publish here the collection that he envisioned, under the title My Lost City. This volume also includes several of Fitzgerald's autobiographical writings. My Lost City, like...

This Side of Paradise, F. Scott Fitzgerald's romantic and witty first novel, was written when the author was only twenty-three years old. This semiautobiographical story of the handsome, indulged, and idealistic Princeton student Amory Blaine received critical raves and catapulted Fitzgerald to instant fame. Now, readers can enjoy the newly edited, authorized version of this early classic of the Jazz Age, based on Fitzgerald's original manuscript. In this definitive text, This Side of Paradise captures the rhythms and romance of Fitzgerald's youth and offers a poignant portrait...

A collection of short stories and other miscellaneous writings by Joseph Heller, one of America's most influential and idiosyncratic writers.

Years before the publication of Catch-22--which was called "a monumental artifact of contemporary literature" by The New York Times, "an apocalyptic masterpiece" by the Chicago Sun-Times, and "one of the most bitterly funny works in the language" by The New Republic--Joseph Heller began sharpening his skills as a writer, searching for the voice that would best express his own peculiarly wry view of the world.

In...

Manners, mystery, and maniacs in O'Connor's unforgettable fiction

Describing Flannery O'Connor's fiction as "violent, grotesque, and horribly funny, with a twist", Margaret Earley Whitt explores the canon of the Georgia writer whose work has long haunted and harassed its readers. In a comprehensive survey that encompasses O'Connor's short stories, novels, essays, and letters, as well as the body of criticism that has proliferated since her death in 1964, Whitt illumines the religious themes and bizarre characters that make O'Connor's prose so strikingly different from that of other American...

In 1924, F. Scott Fitzgerald told his editor Maxwell Perkins about a young American expatriate in Paris, an unknown writer with a brilliant future. When Perkins wrote to Ernest Hemingway several months later, he began a correspondence spanning more than two decades and charting the career of one of the most influential American authors of this century. The letters collected here are the record of that professional alliance and of Hemingway's development as a writer.

The standard work on Fitzgerald, revised, enlarged, and updated; Since its first publication in 1981, Some Sort of Epic Grandeur has stood apart from other biographies of F. Scott Fitzgerald for its thoroughness and volume of information. It is regarded today as the basic work on Fitzgerald and the preeminent source for the study of the novelist. In this second revised edition, Matthew J. Bruccoli provides new evidence discovered since its original edition. This new edition of Some Sort of Epic Grandeur improves, augments, and updates the standard biography of F. Scott Fitzgerald.