The first survey in decades of the witty Belgian conceptualist

Marcel Broodthaers' extraordinary artistic output placed him at the center of international activity during the transformative decades of the 1960s and 1970s. Throughout his career, from early objects variously made of mussel shells, eggshells and books of his own poetry, to his most ambitious project, the MusEe d'Art Moderne, DEpartement des Aigles (Museum of Modern Art, Department of Eagles), and the DEcors made at the end of his life, Broodthaers occupied a unique position, often...