During the thirties, the subversive nature of his work sent Brecht from Germany to Scandinavia and later to the United States. The Good Woman of Setzuan, written during Brecht's exile and set in Communist China, is a parable of a young woman torn between obligation and reality, between love and practicality, and between her own needs and those of her...

The Caucasian Chalk Circle is a parable inspired by the Chinese play Chalk Circle. Written at the close of World War II, the story is set in the Caucasus Mountains of Georgia. It retells the tale of King Solomon and a child claimed by and fought over by two mothers. But this chalk circle is metaphorically drawn around a society misdirected in its priorities. Brecht's...

Long in preparation and in considerable demand, here are the essential poems and prose of one of the giants of 20th century world literature. Following an authoritative introduction by Reinhold Grimm, the volume includes German and English poems on facing pages.

Stories of Mr. Keuner gathers Bertolt Brecht's fictionalized comments on politics, everyday life, and exile. Written from the late 1920s till the late 1950s, Stories of Mr. Keuner is the precipitate of Brecht's experience of a world in political and cultural flux, a world of revolution, civil war, world war, cultural efflorescence, Nazism, Stalinism, and the Cold War - in short, the first half of the twentieth century.

Mr. Keuner said: -I, too, once adopted an aristocratic stance (you know: erect, upright, and proud, head thrown back). I was standing in rising water at...

The Lehrstucke (or 'learning-plays') lie at the heart of Brechtian theatre.

Written during 1929 and 1930, years of far-reaching political and economic upheaveal in Germany and the period of Brecht's most sharply Communist works, these short plays show an abrupt rejection of most of the trappings of conventional theatre.

The Lehrstucke are spare and highly formalized pieces intended for performance by amateurs, on the principle that the moral and political lessons contained in them can best be taught by participation in an actual production. There is nothing in the drama of the...

Brecht's "Work Journals" cover the period from 1938 to 1955, the years of exile in Denmark, Sweden, Finland and America, and his return via Switzerland to East Berlin. His criticisms of the work of other writers and intellectuals are perceptive and polemic, and the accounts of his own writing practice provide insight into the creation of his dramatic works of the period, the development of his political thinking and his...

From Weimar Germany to Hollywood to East Berlin, Brecht on Film and Radio gathers together a selection of Bertolt Brecht's own writings on the new film and broadcast media that revolutionised arts and communication in the twentieth century.

Bertolt Brecht's hugely influential views on drama, acting and stage production have long been widely recognised. Less familiar, but of profound importance, are his writings on film and radio. From Weimar Germany to Hollywood to East Berlin, Brecht on Film and Radio gathers together for the first time a selection of Brecht's own writings on...