The period 800-1200 saw many changes in attitude towards death, sin and salvation. Visual sources can provide a valuable complement to written sources, often modifying or adding another dimension to what scholars and theologians expressed in words. Taking miniatures showing the Fall of Man and those with personifications of death, this study looks at the ideas they express and the relationship between them. It examines both the general tendencies and specific manuscripts, relating them to their contexts and to the writings of the time. This book shows the shifts in ideas as to what...

This compilation features the famous parody of Sherlock Holmes, "The Double Barreled Detective" by Mark Twain coupled with Franois De Gail's masterful French translation. Short stories in the Dual Language Reader format serve as an excellent tool to aid one in developing the ability to "think" in French.

Monstrous immortality, reincarnation, eternal recurrence, never-ending gender, virtual sex, multiple organisms, reclusive regiments: FLAPPERHOUSE #9.

Fiction. Trapped in the body of boy detective extraordinaire Timmy Hightower, Jesus Christ is forced by his father to solve mysteries no mortal should ever solve. With the help of Timmy's uncle, a fourth generation circus knife thrower/acquitted serial killer Leopold Franz, they search for answers and for a way home.

The theme and scope of the Chronology focus on the life (in bare outline) and publications (in temporal order) of John Ruskin (1819-1900). As art-critic, social commentator, architectural scholar, geologist, botanist, water-colourist, lecturer, letter-writer and prose stylist, Ruskin stands forth as perhaps the pre-eminent Victorian polymath. His advocacy of art and artists, his courage in the face of hostile, uninformed criticism and his enlightened compassionate views of the human condition reveal Ruskin as 'not of an age but for all time'. These attributes the Chronology endeavours to...

Henry James remained throughout his life focused on his boyhood and early manhood, and correspondingly on younger boys and men, and John R. Bradley illustrates how it is in the context of such narcissism that James consistently dealt with male desire in his fiction. He also traces a more subtle but related trajectory in James's writing from a Classical to a Modernist gay discourse, which in turn is shown to have been paralleled by a shift in James's fiction from naturalistic beginnings to later stylistic evasion and obscurity. This radical book, which covers the whole of James's career, will...