Albert Borowitz provides a guide to "fact-based crime literature" focusing on two principal groups of works: non-fictional accounts of crimes and criminal trials, including essays, monographs, journalism, editions of court transcripts, prison histories, and criminal and police biographies and memoirs; and works of imaginative literature, such as novels, stories, or stage works, based on or inspired by actual crimes or criminals. Blood and Ink, with forewords by Jacques Barzun and true-crime writer/historian Jonathan Goodman, will prove to be an invaluable resource to true-crime aficionados as...

Examines the motives of terrorists, from ancient Greece to the present day

"A unique work of. . . history, made all the more interesting by its relevance to the time in which we live."
--James R. Elkins, editor of Legal Studies Forum

In this timely study of the roots of terrorism, author Albert Borowitz deftly assesses the phenomenon of violent crime motivated by a craving for notoriety or self-glorification. He traces this particular brand of terrorism back to 356 BCE and the destruction of the Temple of Artemis at Ephesus by arsonist...

Crime has formed the basis of countless plots in music theater and opera. Several famous composers were murder victims or believed to be murdered, and one of the greatest Renaissance composers slaughtered his wife and her lover. In Musical Mysteries, renowned true crime historian Albert Borowitz turns his attention to the long and complex history of music and crime. The book is divided into two parts. The first addresses three aspects of musical crime: the clashes between envious and competitive musicians, the recurrent question of whether genius and criminality can coexist in the same soul,...