This second volume of Song On Record covers the repertory of song not included in the category of Lieder. It contains chapters on the major French composers, on Russian, Scandinavian, Spanish and American song, on Bartok and Janacek, Britten and English song, and ends with a bonne bouche entitled 'Encore.'

This second volume of Song On Record covers the repertory of song not included in the category of Lieder. It contains chapters on the major French composers, on Russian, Scandinavian, Spanish and American song, on Bartok and Janacek, Britten and English song, and ends with a bonne bouche entitled 'Encore.'

Following the successful volumes of Song on Record, this book surveys all the recordings of major choral works from the Monteverdi Vespers to Britten's War Requiem. Discussion of the various interpretations on record is preceded, in each chapter, by informed criticism of the work concerned, including--where appropriate--a clarification of editions, revisions, etc. (all the many changes in Messiah are, for instance, described in detail). The coverage of recordings is exhaustive and its value is enhanced by a detailed discography, with up-to-date numbers of each recording. Each contributor is...

This first volume of Song on Record, devoted to Lieder, provides a critical guide to performance on record from the early days of the gramophone to the present day. Alan Blyth, with a team of distinguished writers and critics, has covered comprehensively the main strands of each composer's output in the field, from Haydn and Mozart to Schoenberg and Berg, together with illuminating and entertaining discussion of the differing interpretations found on the selected recordings. The book is thus as much a history of the Lied and its interpretation as a guide to available recordings and will be of...

This second volume of the highly successful Song on Record covers the repertory of song not included in the category of Lieder. It contains chapters on the major French composers, on Russian, Scandinavian, Spanish and American song, on Bartok and Janacek, Britten and English song, and ends with a bonne bouche entitled Encores.

Following the successful volumes of Song on Record, this book surveys all the recordings of major choral works from the Monteverdi Vespers to Britten's War Requiem. Discussion of the various interpretations on record is preceded, in each chapter, by informed criticism of the work concerned, including--where appropriate--a clarification of editions, revisions, etc. (all the many changes in Messiah are, for instance, described in detail). The coverage of recordings is exhaustive and its value is enhanced by a detailed discography, with up-to-date numbers of each recording. Each contributor is...