Nineteenth-century Cape Town, the capital of the British Cape Colony, was conventionally regarded as a liberal oasis in an otherwise racist South Africa. Longstanding British influence was thought to mitigate the racism of the Dutch settlers and foster the development of a sophisticated and colour-blind English merchant class. Vivian Bickford-Smith skilfully interweaves political, economic and social analysis to show that the English merchant class, far from being liberal, were generally as racist as Afrikaner farmers. Theirs was, however, a peculiarly English discourse of race, mobilised...

Black and White in Colour: African History on Screen considers how the African past has been represented in a wide range of historical films. Written by a team of eminent international scholars, the volume provides extensive coverage of both place and time and deals with major issues in the written history of Africa. Themes include the slave trade, imperialism and colonialism, racism, and anticolonial resistance. Many of the films will be familiar to readers: they include Out of Africa, Hotel Rwanda, Breaker Morant, Cry Freedom, The Battle of Algiers,...

A pioneering account of how South Africa's three leading cities were fashioned, experienced, promoted and perceived.