Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this point of view, Sandra P. Rosenblum examines the principles of performing the music of Haydn, Mozart, Beethoven, and their contemporaries as revealed in a variety of historical sources: their autographs and letters, early editions of their music, original instruments, and contemporary tutors and journals. She applies these findings to such elements of performance as dynamics, accentuation, pedaling, articulation and touch, technique and fingering,...
Performance today on either the pianoforte or the fortepiano can be at once joyful, musicianly, expressive, and historically informed. From this po...
What can we really know about Jesus ? Are there some basic facts which resist the criticism of even the most sceptical New Testament scholars? Despite the many problems of which modern study of the Gospels has made us aware, can we go beyond the picture of Christ drawn by the theologians of the Early Church to discover Jesus himself? Answers to these questions from Germany have been more often negative than positive since the failure of the 'Quest of the historical Jesus' and the rise of form criticism. In this book, however, a distinguished German New Testament scholar, who has also taught...
What can we really know about Jesus ? Are there some basic facts which resist the criticism of even the most sceptical New Testament scholars? Despite...
