'In Dora's Case contributes...to an understanding of feminism and psychoanalysis for it highlights many of the pertinent aspects of the case in their relationship to recent feminist psychoanalytic theories.'--Literature and Psychology
'In Dora's Case contributes...to an understanding of feminism and psychoanalysis for it highlights many of the pertinent aspects of the case in their ...
Although their styles appear remarkably different, Flaubert and Kafka share a common identification with the writing process itself. "I am a human pen," wrote Flaubert; "I am nothing but literature," declared Kafka. This stimulating book is the first to explore the link between these writers. Introducing his conception of psychopoetics, Charles Bernheimer brings new clarity to many controversial issues in psychoanalysis, rhetoric, and critical theory. In chapters on Flaubert and Kafka he probes the desires and fears motivating each writer's search for a fully satisfying literary style. His...
Although their styles appear remarkably different, Flaubert and Kafka share a common identification with the writing process itself. "I am a human pen...
In recent years, the idea of multiculturalism has become a powerful--and controversial--influence in a variety of social and cultural territories. In the academic world it has profoundly influenced curriculum and scholarship in the humanities, particularly in traditionally Eurocentric disciplines such as comparative literature.
It was hardly surprising, then, that the 1993 report -Comparative Literature at the Turn of the Century---which endorses a multicultural orientation for the discipline--generated an unprecedented level of interest. The third such report on professional...
In recent years, the idea of multiculturalism has become a powerful--and controversial--influence in a variety of social and cultural territories. ...
Knight explores the context from which the films made by Fassbinder, Wenders, Herzog, von Trotta and others emerged during the late 1960s through to the mid-1980s. It examines the American dominance of the German market place, the development of a film subsidy system, the notion and politics of an Autorenkino, the framework of European art cinema, and distribution and exhibition initiatives that helped shape a new national cinema.
Knight explores the context from which the films made by Fassbinder, Wenders, Herzog, von Trotta and others emerged during the late 1960s through to t...