In this volume, anthropologists, art historians, fiber artists, and technologists come together to explore the meanings, uses, and fabrication of textiles in Mexico, Guatemala, Ecuador, Peru, and Bolivia from Precolumbian times to the present. Originally published in 1991 by Garland Publishing, the book grew out of a 1987 symposium held in conjunction with the exhibit "Costume as Communication: Ethnographic Costumes and Textiles from Middle America and the Central Andes of South America" at the Haffenreffer Museum of Anthropology, Brown University.
In this volume, anthropologists, art historians, fiber artists, and technologists come together to explore the meanings, uses, and fabrication of t...
In the middle of a successful academic career, art historian Janet Catherine Berlo found herself literally at a loss for words. A severe case of writer's block forced her to abandon a book manuscript midstream; she found herself quilting instead. Scorning the logic, planning, and order of scholarship and writing, she immersed herself in freewheeling patterns and vivid colors. For eighteen months she spent all day, every day, quilting. This book penetrates to the very heart of women's lives, focusing on their relationships to family and friends, to work, to daily tasks. It is a search for...
In the middle of a successful academic career, art historian Janet Catherine Berlo found herself literally at a loss for words. A severe case of write...
The field of Native American art history, and our idea of what comprises Indian art itself, were molded largely by policies of the museums and institutions that established their ethnological collections in the second half of the nineteenth century.
Objects housed in the great natural history museums--collected and seen first as natural history specimens and later as ?primitive art?--have long been considered to be normative Native American art, rather than as representative of a long and changing history, and collectors? biases against Euro-American influenced work, tourist items,...
The field of Native American art history, and our idea of what comprises Indian art itself, were molded largely by policies of the museums and inst...
Arthur Amiotte Louis S. Warren Janet Catherine Berlo
Through his artwork, Arthur Amiotte offers insight into the early reservation period, a time of great upheaval for the Lakota people. In words and images, he tells the fascinating story of his great-grandfather Standing Bear, a Lakota artist whose family uniquely blended Native and European ways of life.
Through his artwork, Arthur Amiotte offers insight into the early reservation period, a time of great upheaval for the Lakota people. In words and ima...
Robert G. Donnelley Candace S. Greene Janet Catherine Berlo
Stan bardzo dobry - książka była czytana, ale jeszcze długo posłuży innym czytelnikom. Ma ślady używania - otwierania i kartkowania, rysy, zabrudzenia. Wygląda jak książka, którą wypożyczasz w bibliotece. Silver Horn's lifespan (1860-1940) placed him in the midst of extreme cultural transformations: by the time of his death, highways, silos, and gas stations dominated the land that had, at his birth, been the domain of buffalo herds and Plains Indians. Silver Horn's art documents these massive changes in the lives of the Kiowa Indians, as well as changes in Kiowa art itself:...
Stan bardzo dobry - książka była czytana, ale jeszcze długo posłuży innym czytelnikom. Ma ślady używania - otwierania i kartkowania, rysy, zab...
